[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:my-funny-valentine":3},"title: My Funny Valentine\ncomposer: Richard Rodgers\nstyle: Ballad\nkey: Cm\nform: ABCD, 36 bars\nrecording: Miles Davis Quintet; Cookin' with the Miles Davis Quintet; Prestige; 1957\nyoutube: -3lY1BwwmLM\n# analysis: 2026-10-19, rules v2; C minor\n# recording: recorded 1956-10-26, Van Gelder Studio, Hackensack (Miles with Red Garland, Paul Chambers, Philly Joe Jones; Coltrane sits out), Prestige PRLP 7094, released 1957; songbook standard (Babes in Arms, 1937) → Miles' reading as the reference, over Chet Baker's (Pacific Jazz); sources: Wikipedia; video: Craft Recordings upload on the Miles Davis channel, the album track, the same take\n\n# bar | chord | scale\n# the \"standard\" chords; the lead sheet also offers Fm F#m7 B7 Bbm7 Eb7 Dm7b5 G7b9 (A bars 6–8)\n# and Am7b5 D7 Gm7 C7 F#m7 B7 (B bars 6–8) as alternates\n\nsection: A\n# area: C minor (A 1 – B 7)\n1  | Cm         # tonic minor: Dorian by convention\n2  | CmMaj7\u002FB   # from the symbol: minor-major 7th\n3  | Cm7\u002FBb     # tonic minor: Dorian by convention\n4  | Am7b5      # viø7 in C minor: Locrian, its own mode (the chord is outside the key)\n5  | AbMaj7#11  # from the symbol: #11\n6  | Fm         # iv: Dorian, the key’s own notes\n7  | Dm7b5      # iiø7 of C minor: Locrian, the key's own notes (its ♭2 is a passing note)\n8  | G7b9       # V7 of C minor: b9 and b13 are in the key\n\nsection: B\n1  | Cm         # tonic minor: Dorian by convention\n2  | CmMaj7\u002FB   # from the symbol: minor-major 7th\n3  | Cm7\u002FBb     # tonic minor: Dorian by convention\n4  | Am7b5      # viø7 in C minor: Locrian, its own mode (the chord is outside the key)\n5  | AbMaj7#11  # from the symbol: #11\n6  | Fm         # iv: Dorian, the key’s own notes\n7  | Fm7b5      # ivø7 in C minor: Locrian, its own mode (the chord is outside the key)\n# area: Eb major (B 8 – C 5)\n8  | Fm7        # ii of the ii–V to Eb\n8  | Bb7b9      # V7 of Eb: the b9 from the symbol\n\nsection: C\n1  | EbMaj7     # tonic: the 4th is in the key\n1  | Fm\u002FEb      # ii: Dorian, the key’s own notes\n2  | EbMaj7     # tonic: the 4th is in the key\n2  | Fm\u002FEb      # ii: Dorian, the key’s own notes\n3  | EbMaj7     # tonic: the 4th is in the key\n3  | Fm\u002FEb      # ii: Dorian, the key’s own notes\n4  | EbMaj7     # tonic: the 4th is in the key\n4  | Fm\u002FEb      # ii: Dorian, the key’s own notes\n5  | EbMaj7     # tonic: the 4th is in the key\n# area: C minor (C 5 – D 7)\n5  | G7alt      # from the symbol: altered\n6  | Cm         # tonic minor: Dorian by convention\n6  | Bbm        # a borrowed minor chord: Dorian, its own key\n7  | AbMaj7     # a non-tonic major chord: Lydian\n8  | Dm7b5      # iiø7 of C minor: Locrian, the key's own notes (its ♭2 is a passing note)\n8  | G7alt      # from the symbol: altered\n\nsection: D\n1  | Cm         # tonic minor: Dorian by convention\n2  | CmMaj7\u002FB   # from the symbol: minor-major 7th\n3  | Cm7\u002FBb     # tonic minor: Dorian by convention\n4  | Am7b5      # viø7 in C minor: Locrian, its own mode (the chord is outside the key)\n5  | AbMaj7#11  # from the symbol: #11\n6  | Dm7b5      # iiø7 of C minor: Locrian, the key's own notes (its ♭2 is a passing note)\n6  | G7alt      # from the symbol: altered\n7  | Cm7        # ii of the ii–V to Bb minor\n7  | F7b9       # V7\u002Fbvii in C minor: the b9 from the symbol\n# area: Ab major (D 8–9)\n8  | Bbm7       # ii of the ii–V to Ab\n8  | Eb7b9      # V7 of Ab: the b9 from the symbol\n9  | AbMaj7     # tonic: the 4th is in the key\n# area: C minor (D 10–12)\n10 | Fm7        # ii of the ii–V to Eb\n10 | Bb7        # V7\u002FbIII in C minor: natural tensions\n11 | EbMaj7     # bIII of C minor: the relative major itself\n12 | Dm7b5      # iiø7 of C minor: Locrian, the key's own notes (its ♭2 is a passing note)\n12 | G7         # V7 of C minor: b9 and b13 are in the key\n",1793484801630]