[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:my-favorite-things":3},"title: My Favorite Things\ncomposer: Richard Rodgers\nstyle: Waltz\nkey: Em\ntime: 3\u002F4\nform: AABCC, 72 bars\n# analysis: 2026-10-31, rules v2; E minor\n\nsection: A1\n# area: E minor (A1 1–8)\n1  | Em7     # tonic minor: Dorian by convention\n2  | F#m7    # a borrowed minor chord: Dorian, its own key\n3  | Em7     # tonic minor: Dorian by convention\n4  | F#m7    # a borrowed minor chord: Dorian, its own key\n5  | CMaj7   # a non-tonic major chord: Lydian\n6  | CMaj7\n7  | CMaj7\n8  | CMaj7\n# area: G major (A1 9–14)\n9  | Am7     # ii of the ii–V to G\n10 | D7      # V7 of G: natural tensions\n11 | GMaj7   # tonic: the 4th is in the key\n12 | CMaj7   # IV: the #4 is the key’s 7th\n13 | GMaj7   # tonic: the 4th is in the key\n14 | CMaj7   # IV: the #4 is the key’s 7th\n# area: E minor (A1 15 – A2 8)\n15 | F#m7b5  # iiø7 of E minor: Locrian, the key's own notes (its ♭2 is a passing note)\n16 | B7b9    # V7 of E minor: b9 and b13 are in the key; the repeat at A2 bar 16 would be B Half-Whole Diminished\n\nsection: A2\ncopy: A1\n\nsection: B\n1  | EMaj7   # tonic: the 4th is in the key\n2  | F#m7    # ii: Dorian, the key’s own notes\n3  | EMaj7   # tonic: the 4th is in the key\n4  | F#m7    # ii: Dorian, the key’s own notes\n5  | AMaj7   # IV: the #4 is the key’s 7th\n6  | AMaj7\n7  | AMaj7\n8  | AMaj7\n# area: E minor (B 9 – C2 8)\n9  | Am7     # ii of the ii–V to G\n10 | D7      # V7\u002FbIII in E minor: natural tensions\n11 | GMaj7   # bIII of E minor: the relative major itself\n12 | CMaj7   # a non-tonic major chord: Lydian\n13 | GMaj7   # bIII of E minor: the relative major itself\n14 | CMaj7   # a non-tonic major chord: Lydian\n15 | F#m7b5  # iiø7 of E minor: Locrian, the key's own notes (its ♭2 is a passing note)\n16 | B7b9    # V7 of E minor: b9 and b13 are in the key\n\nsection: C1\n1  | Em7     # tonic minor: Dorian by convention\n2  | Em7\n3  | F#m7b5  # iiø7 of E minor: Locrian, the key's own notes (its ♭2 is a passing note)\n4  | B7b9    # V7 of E minor: b9 and b13 are in the key\n5  | Em7     # tonic minor: Dorian by convention\n6  | Em7\n7  | CMaj7   # a non-tonic major chord: Lydian\n8  | CMaj7\n9  | CMaj7\n10 | CMaj7\n11 | A7      # IV7 in E minor, not resolving: natural tensions\n12 | A7\n13 | GMaj7   # bIII of E minor: the relative major itself\n14 | CMaj7   # a non-tonic major chord: Lydian\n15 | CMaj7\n16 | D7      # V7\u002FbIII in E minor: natural tensions\n\nsection: C2\n1  | G6      # bIII of E minor: the relative major itself\n2  | CMaj7   # a non-tonic major chord: Lydian\n3  | G6      # bIII of E minor: the relative major itself\n4  | CMaj7   # a non-tonic major chord: Lydian\n5  | GMaj7   # bIII of E minor: the relative major itself\n6  | CMaj7   # a non-tonic major chord: Lydian\n7  | F#m7b5  # iiø7 of E minor: Locrian, the key's own notes (its ♭2 is a passing note)\n8  | B7b9    # V7 of E minor: b9 and b13 are in the key\n",1793575896314]