[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:my-attorney-bernie":3},"title: My Attorney Bernie\ncomposer: Dave Frishberg\nstyle: Medium samba\nkey: Gm\nform: Interlude ABC, 54 bars\nrecording: Dave Frishberg; The Dave Frishberg Songbook Volume No. 2; Omnisound; 1983\nyoutube: 0lyhjzn-Qdo\n# analysis: 2026-10-19, rules v2; G minor\n# recording: recorded December 1982, Mountain Sound, Pennsylvania, Frishberg (vocal, piano) with Steve Gilmore and Bill Goodwin, Omnisound N-1051, the first recording of it, the composer singing; reissued on Dave Frishberg Classics (Concord, 1991) (MusicBrainz, library catalogues); video: \"Provided to YouTube by Universal Music Group\", Dave Frishberg Classics, the same take (not the 2006 Jazz Bakery version)\n# book: Med. Samba, half note = 92. The repeat runs from the Interlude to the end of C, 3 times in all\n# book: (3 verses); the 3rd time, take the Coda after C bar 10.\n# book: arrows mark pushed chords; a chord pushed onto beat 4 is written in the bar it leads into\n\n# bar | chord\n\nsection: Intro\n# area: G minor (Intro 1)\n1  | Gm       # tonic minor: Dorian by convention\n# area: Eb major (Intro 2–3)\n2  | Fm9      # ii of the ii–V to Eb\n2  | Bb13     # V7 of Eb: natural tensions\n3  | Eb       # tonic: the 4th is in the key\n# area: G minor (Intro 4 – Interlude 1)\n4  | D7#9     # V7 of G minor: the b13 is in the key, b9, #9 and #11 from the symbol\n\nsection: Interlude\nbars: 6\n1  | Gm       # tonic minor: Dorian by convention\n# area: Eb major (Interlude 2–3)\n2  | Fm9      # ii of the ii–V to Eb\n2  | Bb13     # V7 of Eb: natural tensions\n3  | Eb       # tonic: the 4th is in the key\n# area: G major (Interlude 4 – A 10)\n4  | D7#9     # V7 of G: b9, #9 and #11 from the symbol\n5  | G        # tonic: the 4th is in the key\n# book: G(add9); bars 5–6: break\n\nsection: A\n1  | Dm7b5\u002FG  # vø7 in G: Locrian, its own mode (the chord is outside the key)\n# alt (optional): bar 7 (C#dim7), the piano and bass figure; bar 8: drum break\n9  | Fm7      # ii of the ii–V to Eb minor\n10 | Bb9      # V7\u002Fbvi in G: the #11 is in the key\n# area: Db major (A 11–14)\n11 | Ebm7     # ii of the ii–V to Db\n12 | Ab9      # V7 of Db: natural tensions\n13 | DbMaj7   # tonic: the 4th is in the key\n14 | GbMaj9   # IV: the #4 is the key’s 7th\n# area: G minor (A 15 – B 10)\n15 | Cm7      # ii of F7b9: Dorian\n16 | F7b9     # V7\u002FbIII in G minor: the b9 from the symbol\n17 | Am7      # ii of D7: Dorian\n17 | D7       # extended dominant: V7 of G7\n18 | G7       # I7 in G minor, not resolving: the b13 is in the key\n\nsection: B\n1  | Dm7b5\u002FG  # vø7 in G minor: Locrian, its own mode (the chord is outside the key)\n# alt (optional): bar 7 (C#dim7), the piano and bass figure; bar 8: drum break\n9  | Fm7      # ii of the ii–V to Eb minor\n10 | Bb9      # V7\u002Fbvi in G minor: natural tensions\n# area: Db major (B 11–14)\n11 | Ebm7     # ii of the ii–V to Db\n12 | Ab9      # V7 of Db: natural tensions\n13 | DbMaj7   # tonic: the 4th is in the key\n14 | GbMaj9   # IV: the #4 is the key’s 7th\n# area: G minor (B 15 – C 2)\n15 | Cm7      # ii of F7b9: Dorian\n16 | F7b9     # V7\u002FbIII in G minor: the b9 from the symbol\n17 | Ab9#11   # tritone substitute: resolves down a half step to G9\n18 | G9       # I7 in G minor, not resolving: the b13 is in the key\n# bar 18: break\n\nsection: C\nbars: 14\n1  | F9sus4   # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n2  | BbMaj7   # bIII of G minor: the relative major itself\n# book: BbMaj7 pushed onto beat 4 of bar 1; bar 2: break\n# area: G major (C 3–4)\n3  | D9sus4   # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n4  | GMaj7    # tonic: the 4th is in the key\n# bar 4: break\n# area: G minor (C 5–9)\n5  | F9sus4   # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n6  | BbMaj7   # bIII of G minor: the relative major itself\n# book: BbMaj7 pushed onto beat 4 of bar 5; bar 6: break\n7  | D9sus4   # V7sus4 of Gm: the b13 is in the key\n# alt (optional): bar 8 beats 3–4 (D7#5)\n9  | Gm       # tonic minor: Dorian by convention\n# area: Eb major (C 10–11)\n10 | Fm9      # ii of the ii–V to Eb\n10 | Bb13     # V7 of Eb: natural tensions\n@coda 10\n11 | Eb       # tonic: the 4th is in the key\n# area: G minor (C 12 – Coda 2)\n12 | D7#9     # V7 of G minor: the b13 is in the key, b9, #9 and #11 from the symbol\n\nsection: Coda\nbars: 4\n# repeat from the Interlude (3 times in all)\n1  | Eb       # a non-tonic major chord: Lydian\n@coda 1\n2  | D7b9     # V7 in G minor, not resolving: b9 and b13 are in the key\n# bars 2–3: break\n# bar 4: a final piano stab over a G bass (no chord symbol)\n",1793484801590]