[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:muito-obrigado":3},"title: Muito Obrigado\ncomposer: Djavan\nstyle: Bossa Nova\nkey: D\nform: AABC, 36 bars\nrecording: Djavan; A Voz, o Violão, a Música de Djavan; Som Livre; 1976\nyoutube: O4qTc0Xe80A\n# analysis: 2026-10-28, rules v2; D\n# recording: his debut LP, produced by Aloysio de Oliveira; the composer's own first recording (rule 1); sources: MusicBrainz, Wikipedia; video: Som Livre \"Provided to YouTube\" upload, A Voz, o Violão, a Música de Djavan (Edição Especial de 50 Anos), 'Remasterizada 2026', 3:03\n\nsection: Intro1\n1  | DMaj7  # tonic: the 4th is in the key\n1  | B7     # V7\u002Fii in D: the b13 is in the key\n2  | Em7    # ii of A7: Dorian\n2  | A7     # V7\u002FI in D: natural tensions\n3  | F#m7   # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n3  | B7     # V7\u002Fii in D: the b13 is in the key\n4  | Em7    # ii of the ii–V to D\n4  | A7     # V7 of D: natural tensions\n\nsection: Intro2\ncopy: Intro1\n\nsection: A\n1  | DMaj7  # tonic: the 4th is in the key\n1  | B7     # V7\u002Fii in D: the b13 is in the key\n2  | Em7    # ii of A7: Dorian\n2  | A7     # V7\u002FI in D: natural tensions\n3  | F#m7   # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n3  | B7     # V7\u002Fii in D: the b13 is in the key\n4  | Em7    # ii of A7: Dorian\n4  | A7     # V7\u002FI in D: natural tensions\n5  | F#m7   # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n5  | B7     # V7\u002Fii in D: the b13 is in the key\n6  | Em7    # ii of the ii–V to D\n6  | A7     # V7 of D: natural tensions\n7  | DMaj7  # tonic: the 4th is in the key\n7  | B7     # V7\u002Fii in D: the b13 is in the key\n8  | Em7    # ii of A7: Dorian\n8  | A7     # V7\u002FI in D: natural tensions\n9  | F#m7   # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n10 | B7     # V7\u002Fii in D: the b13 is in the key\n@ending 1 7 8\n@ending 2 9 10\n\nsection: B\n1  | Em7    # ii of A7: Dorian\n2  | A7     # V7\u002FI in D: natural tensions\n3  | F#m7   # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4  | B7     # V7\u002Fii in D: the b13 is in the key\n5  | Em7    # ii: Dorian, the key’s own notes\n6  | Dbm7   # ii of the ii–V to B minor\n6  | Gb7    # V7\u002Fvi in D: b9 and b13 are in the key\n7  | Bm7    # ii of the ii–V to A minor\n7  | E7     # V7\u002Fv in D: natural tensions\n8  | Am7    # ii of the ii–V to G\n8  | D7     # V7\u002FIV in D: natural tensions\n9  | GMaj7  # the D7 before it makes G the key of the moment: the 4th is in the key\n10 | A7     # V7 of D: natural tensions\n11 | DMaj7  # tonic: the 4th is in the key\n12 | B7     # V7\u002Fii in D: the b13 is in the key\n\nsection: C\n1  | Em7    # ii of A7: Dorian\n2  | A7     # V7\u002FI in D: natural tensions\n3  | F#m7   # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4  | B7     # V7\u002Fii in D: the b13 is in the key\n5  | Em7    # ii of A7: Dorian\n6  | A7     # V7\u002FI in D: natural tensions\n7  | F#m7   # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n7  | B7     # V7\u002Fii in D: the b13 is in the key\n8  | Em7    # ii of the ii–V to D\n8  | A7     # V7 of D: natural tensions\n",1793484801577]