[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:muddy-in-the-bank":3},"title: Muddy in the Bank\nsubtitle: Medium up (8 8 10)\ncomposer: Steve Swallow\nstyle: Medium up\nkey: Ab\nform: ABC, 26 bars\nrecording: Steve Swallow; Real Book; XtraWATT; 1994\nyoutube: 21AXILQQ0H0\n# analysis: 2026-10-19, rules v2; Ab\n# recording: recorded December 1993, Grog Kill Studio, Willow, NY; XtraWATT\u002F7 (ECM 521 637-2), with Tom Harrell, Joe Lovano, Mulgrew Miller, Jack DeJohnette (jazzdisco.org, MusicBrainz release group, Wikipedia)\n\n# bar | chord | scale\n\nsection: A\n# area: Ab major (A 1–2)\n1  | AbMaj7     # tonic: the 4th is in the key\n2  | Gm7b5      # iiø7 of F minor: Locrian, the key's own notes (its ♭2 is a passing note)\n2  | C7alt      # from the symbol: altered\n# area: Eb major (A 3 – B 8)\n3  | Fm7        # ii of the ii–V to Eb\n3  | Bb7        # V7 of Eb: natural tensions\n4  | EbMaj7     # tonic: the 4th is in the key\n5  | Dm7b5      # iiø7 of C minor: Locrian, the key's own notes (its ♭2 is a passing note)\n5  | G7alt      # from the symbol: altered\n6  | Cm7        # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n6  | Am7b5      # #ivø7 in Eb: Locrian, its own mode (the chord is outside the key)\n7  | Ab7#11     # tritone substitute: resolves down a half step to G7b9\n8  | G7b9       # V7\u002Fvi in Eb: b9 and b13 are in the key\n\nsection: B\n1  | Cm         # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2  | Dm7b5      # iiø7 of G7alt: Locrian, the key's own notes (its ♭2 is a passing note)\n2  | G7alt      # from the symbol: altered\n3  | AbMaj7#11  # from the symbol: #11\n4  | Gm7b5      # iiø7 of F minor: Locrian, the key's own notes (its ♭2 is a passing note)\n4  | C7alt      # from the symbol: altered\n5  | Fm         # ii: Dorian, the key’s own notes\n5  | Fm\u002FEb      # ii: Dorian, the key’s own notes\n6  | Dm7b5      # iiø7 of C minor: Locrian, the key's own notes (its ♭2 is a passing note)\n6  | G7alt      # from the symbol: altered\n7  | Cm7        # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n7  | Am7b5      # #ivø7 in Eb: Locrian, its own mode (the chord is outside the key)\n8  | Ab7#11     # tritone substitute: resolves down a half step to G7b13\n\nsection: C\nbars: 12\n# area: Gb major (C 1–5)\n1  | G7b13      # tritone substitute: resolves down a half step to GbMaj7; b13 from the symbol\n2  | GbMaj7     # tonic: the 4th is in the key\n3  | F7b13      # V7\u002Fiii in Gb: b9 and b13 are in the key\n4  | Bbm        # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4  | Bbm\u002FAb     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n5  | Gm7b5      # iiø7 of F minor: Locrian, the key's own notes (its ♭2 is a passing note)\n5  | C7alt      # from the symbol: altered\n# area: Eb major (C 6–9)\n6  | Fm7        # ii of the ii–V to Eb\n6  | Bb7        # V7 of Eb: natural tensions\n7  | EbMaj7     # tonic: the 4th is in the key\n8  | Dm7b5      # iiø7 of C minor: Locrian, the key's own notes (its ♭2 is a passing note)\n8  | G7alt      # from the symbol: altered\n9  | Cm7        # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n9  | B7         # tritone substitute: resolves down a half step to Bbm7\n# area: Ab major (C 10)\n10 | Bbm7       # ii of the ii–V to Ab\n10 | Eb7        # V7 of Ab: natural tensions\n",1793484801570]