[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:moving-out":3},"title: Moving Out\ncomposer: Sonny Rollins\nstyle: Medium Swing\nkey: F\nform: A, 36 bars\n# analysis: 2026-10-31, rules v2; F\n\nsection: A\n1  | F7      # I7 in F, not resolving: natural tensions\n1  | F7\u002FA    # V7\u002FIV in F: natural tensions\n2  | Bb      # the F7\u002FA before it makes Bb the key of the moment: the 4th is in the key\n2  | Bdim    # ♯IV°7 to I: E7♭9 without its root, the ♯II°7's notes\n3  | N.C.\n4  | N.C.\n5  | FMaj7   # tonic: the 4th is in the key\n6  | FMaj7\n7  | FMaj7\n8  | C7sus   # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n9  | FMaj7   # tonic: the 4th is in the key\n9  | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n10 | D7      # V7\u002Fii in F: the b13 is in the key\n10 | Gm7     # ii: Dorian, the key’s own notes\n11 | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n11 | BbMaj7  # IV: the #4 is the key’s 7th\n12 | C7sus   # V7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n12 | C7      # tritone substitute: resolves down a half step to B7b9\n12 | B7b9    # V7\u002Fvii in F: b9 and b13 are in the key\n13 | Em7     # ii of the ii–V to D minor\n14 | A7      # V7\u002Fvi in F: b9 and b13 are in the key\n15 | Dm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n16 | Dm7\n17 | F#m7    # ii of B7alt: Dorian\n18 | B7alt   # from the symbol: altered\n19 | Gm7     # ii of the ii–V to F\n20 | C7      # V7 of F: natural tensions\n21 | FMaj7   # tonic: the 4th is in the key\n22 | FMaj7\n23 | FMaj7\n24 | C7sus   # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n25 | FMaj7   # tonic: the 4th is in the key\n26 | F7      # extended dominant: V7 of Bb7\n27 | Bb7     # IV7 in F, not resolving: the #11 is in the key\n28 | Cm7     # ii of F7: Dorian\n28 | F7      # extended dominant: V7 of Bb7\n29 | Bb7     # IV7 in F, not resolving: the #11 is in the key\n30 | Gbdim   # passing diminished: a rootless dominant ♭9; not functioning diatonically: the symmetric scale\n31 | FMaj7   # tonic: the 4th is in the key\n32 | D7b9    # V7\u002Fii in F: the b13 is in the key, the b9 from the symbol\n33 | Gm7     # ii of the ii–V to F\n34 | C7sus   # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n35 | FMaj7   # tonic: the 4th is in the key\n35 | Bb      # IV: the #4 is the key’s 7th\n36 | Bdim    # ♯IV°7 to I: E7♭9 without its root, the ♯II°7's notes\n36 | F6      # tonic: the 4th is in the key\n",1793575896069]