[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:more-than-you-know":3},"title: More Than You Know\ncomposer: Vincent Youmans\nstyle: Ballad\nkey: C\nform: AABA, 32 bars\n# analysis: 2026-10-31, rules v2; C\n\nsection: A1\n# area: C major (A1 1 – B 3)\n1 | C6      # tonic: the 4th is in the key\n1 | G7#5    # V7 of the C6 before it: #11 and b13 from the symbol\n2 | Gm7     # ii of the ii–V to F\n2 | C7      # V7\u002FIV in C: natural tensions\n3 | FMaj7   # the C7 before it makes F the key of the moment: the 4th is in the key\n3 | Em7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n3 | A7      # V7\u002Fii in C: the b13 is in the key\n4 | Dm7     # ii: Dorian, the key’s own notes\n4 | Fm6     # a minor sixth chord: Dorian\n5 | G7      # V7 in C, not resolving: natural tensions\n5 | Ab7#11  # ♭VI7 from the parallel minor: Lydian Dominant\n6 | Dm7     # ii of G7: Dorian\n6 | G7      # V7\u002FI in C: natural tensions\n7 | Em7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n7 | A7      # V7\u002Fii in C: the b13 is in the key\n8 | Dm7     # ii of the ii–V to C\n8 | G7      # V7 of C: natural tensions\n\nsection: A2\n1 | C6      # tonic: the 4th is in the key\n1 | G7#5    # V7 of the C6 before it: #11 and b13 from the symbol\n2 | Gm7     # ii of the ii–V to F\n2 | C7      # V7\u002FIV in C: natural tensions\n3 | FMaj7   # the C7 before it makes F the key of the moment: the 4th is in the key\n3 | Em7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n3 | A7      # V7\u002Fii in C: the b13 is in the key\n4 | Dm7     # ii: Dorian, the key’s own notes\n4 | Fm6     # a minor sixth chord: Dorian\n5 | Em7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n5 | A7      # V7\u002Fii in C: the b13 is in the key\n6 | Dm7     # ii of the ii–V to C\n6 | G7      # V7 of C: natural tensions\n7 | C6      # tonic: the 4th is in the key\n8 | F#m7b5  # iiø7 of E minor: Locrian, the key's own notes (its ♭2 is a passing note)\n8 | B7b13   # V7\u002Fiii in C: b9 and b13 are in the key\n\nsection: B\n1 | Em7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n1 | C#m7b5  # biiø7 in C: Locrian, its own mode (the chord is outside the key)\n2 | F#m7b5  # iiø7 of E minor: Locrian, the key's own notes (its ♭2 is a passing note)\n2 | B7#9    # V7\u002Fiii in C: the b13 is in the key, b9, #9 and #11 from the symbol\n3 | Em7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n# area: G major (B 4–6)\n4 | Am7     # ii of the ii–V to G\n4 | D7      # V7 of G: natural tensions\n5 | GMaj7   # tonic: the 4th is in the key\n5 | Em7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n6 | Am7     # ii of D7: Dorian\n6 | D7      # V7\u002FI in G: natural tensions\n# area: C major (B 7 – A3 8)\n7 | Dm7     # ii of the ii–V to C\n8 | G7      # V7 of C: natural tensions\n\nsection: A3\n1 | C6      # tonic: the 4th is in the key\n1 | G7#5    # V7 of the C6 before it: #11 and b13 from the symbol\n2 | Gm7     # ii of the ii–V to F\n2 | C7      # V7\u002FIV in C: natural tensions\n3 | FMaj7   # the C7 before it makes F the key of the moment: the 4th is in the key\n3 | Em7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n3 | A7      # V7\u002Fii in C: the b13 is in the key\n4 | Dm7     # ii: Dorian, the key’s own notes\n4 | Fm6     # a minor sixth chord: Dorian\n5 | Em7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n5 | A7      # V7\u002Fii in C: the b13 is in the key\n6 | Dm7     # ii of the ii–V to C\n6 | G7      # V7 of C: natural tensions\n7 | C6      # tonic: the 4th is in the key\n7 | Am7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n8 | Dm7     # ii of the ii–V to C\n8 | G7      # V7 of C: natural tensions\n",1793575895971]