[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:moonlight-serenade":3},"title: Moonlight Serenade\ncomposer: Bernie Miller, Parish\nstyle: Ballad\nkey: F\nform: AABA, 44 bars\n# analysis: 2026-10-31, rules v2; F\n\nsection: A1\n1  | F6      # tonic: the 4th is in the key\n2  | Abdim7  # passing diminished: G7♭9 without its G, the C7's dominant (Gm7 its ii)\n3  | Gm7     # ii of C7: Dorian\n4  | C7      # V7\u002FI in F: natural tensions\n4  | C7#5    # V7 of F: #11 and b13 from the symbol\n5  | FMaj7   # tonic: the 4th is in the key\n5  | F6      # tonic: the 4th is in the key\n6  | FMaj7   # tonic: the 4th is in the key\n6  | F6      # tonic: the 4th is in the key\n7  | FMaj7   # tonic: the 4th is in the key\n7  | F7      # I7 in F, not resolving: natural tensions\n8  | D7b9    # VI7 in F, not resolving: the b13 is in the key, the b9 from the symbol\n8  | Bbm6    # a minor sixth chord: Dorian\n9  | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n9  | D7      # V7\u002Fii in F: the b13 is in the key\n10 | Gm7b5   # iiø7, borrowed from F minor: Locrian\n10 | Gm7     # ii of C7: Dorian\n11 | C7      # V7\u002FI in F: natural tensions\n11 | C7b9#5  # V7 of F: b9, #11 and b13 from the symbol\n12 | FMaj7   # tonic: the 4th is in the key\n12 | Gm7     # ii of the ii–V to F\n12 | C7      # V7 of F: natural tensions\n13 | FMaj7   # tonic: the 4th is in the key\n13 | F7      # V7\u002FIV in F: natural tensions\n@ending 1 12\n@ending 2 13\n\nsection: B\n1  | BbMaj7  # the F7 before it makes Bb the key of the moment: the 4th is in the key\n2  | Eb7     # ♭VII7 from the parallel minor: Lydian Dominant\n3  | A7b9#5  # extended dominant: V7 of D7b9; b9, #11 and b13 from the symbol\n3  | D7b9    # VI7 in F, not resolving: the b13 is in the key, the b9 from the symbol\n4  | D7b9\n4  | D7      # VI7 in F, not resolving: the b13 is in the key\n5  | Bm7b5   # iiø7 of E7b9: Locrian, the key's own notes (its ♭2 is a passing note)\n6  | E7b9    # V7\u002Fiii in F: b9 and b13 are in the key\n7  | Am7b5   # iiø7 of G minor: Locrian, the key's own notes (its ♭2 is a passing note)\n7  | D7b9    # V7\u002Fii in F: the b13 is in the key, the b9 from the symbol\n8  | Gm7     # ii of the ii–V to F\n8  | C7b9    # V7 of F: the b9 from the symbol\n\nsection: A2\n1  | FMaj7   # tonic: the 4th is in the key\n2  | Abdim7  # passing diminished: G7♭9 without its G, the C7's dominant (Gm7 its ii)\n3  | Gm7     # ii of C7: Dorian\n4  | C7      # V7\u002FI in F: natural tensions\n4  | C7#5    # V7 of F: #11 and b13 from the symbol\n5  | FMaj7   # tonic: the 4th is in the key\n5  | F6      # tonic: the 4th is in the key\n6  | FMaj7   # tonic: the 4th is in the key\n6  | F6      # tonic: the 4th is in the key\n7  | FMaj7   # tonic: the 4th is in the key\n7  | F7      # I7 in F, not resolving: natural tensions\n8  | D7b9    # VI7 in F, not resolving: the b13 is in the key, the b9 from the symbol\n8  | Bbm6    # a minor sixth chord: Dorian\n9  | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n9  | D7      # V7\u002Fii in F: the b13 is in the key\n10 | Gm7b5   # iiø7, borrowed from F minor: Locrian\n10 | Gm7     # ii of C7: Dorian\n11 | C7      # V7\u002FI in F: natural tensions\n11 | C7#5    # V7 of F: #11 and b13 from the symbol\n12 | FMaj7   # tonic: the 4th is in the key\n",1793575895942]