[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:moonlight-saving-time":3},"title: Moonlight Saving Time\ncomposer: Irving Kahal\nstyle: Medium Swing\nkey: F\nform: AABA, 32 bars\n# analysis: 2026-10-31, rules v2; F\n\nsection: A1\n1  | FMaj7   # tonic: the 4th is in the key\n1  | Abdim7  # passing diminished: G7♭9 without its G, the C7's dominant (Gm7 its ii)\n2  | Gm7     # ii of the ii–V to F\n2  | C7      # V7 of F: natural tensions\n3  | F6      # tonic: the 4th is in the key\n3  | C7      # V7 of the F6 before it: natural tensions\n4  | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4  | Abdim7  # passing diminished: G7♭9 without its G, the C7's dominant (Gm7 its ii)\n5  | Gm7     # ii of C7: Dorian\n5  | C7      # V7\u002FI in F: natural tensions\n6  | Gm7     # ii of the ii–V to F\n6  | C7      # V7 of F: natural tensions\n7  | F6      # tonic: the 4th is in the key\n7  | Dm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n8  | Gm7     # ii of the ii–V to F\n8  | C7      # V7 of F: natural tensions\n9  | F6      # tonic: the 4th is in the key\n9  | D7b9    # VI7 in F, not resolving: the b13 is in the key, the b9 from the symbol\n10 | F6      # tonic: the 4th is in the key\n@ending 1 7 8\n@ending 2 9 10\n\nsection: B\n1  | F7      # I7 in F, not resolving: natural tensions\n1  | Cm7     # ii of the ii–V to Bb\n2  | F7      # V7\u002FIV in F: natural tensions\n3  | Bb6     # the F7 before it makes Bb the key of the moment: the 4th is in the key\n3  | F7      # extended dominant: V7 of Bb7\n4  | Bb7     # tritone substitute: resolves down a half step to A7\n4  | A7      # tritone substitute: resolves down a half step to Ab7\n4  | Ab7     # tritone substitute: resolves down a half step to G7\n5  | G7      # II7 in F, not resolving: natural tensions\n5  | Dm7     # ii of G7: Dorian\n6  | G7      # V7 of V7: the dominant of the dominant: natural tensions\n7  | C7      # V7 in F, not resolving: natural tensions\n8  | G7      # V7 of V7: the dominant of the dominant: natural tensions\n8  | C7      # V7 of F: natural tensions\n\nsection: A2\n1  | FMaj7   # tonic: the 4th is in the key\n1  | Abdim7  # passing diminished: G7♭9 without its G, the C7's dominant (Gm7 its ii)\n2  | Gm7     # ii of the ii–V to F\n2  | C7      # V7 of F: natural tensions\n3  | F6      # tonic: the 4th is in the key\n3  | C7      # V7 of the F6 before it: natural tensions\n4  | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4  | Abdim7  # passing diminished: a rootless dominant ♭9\n5  | Gm7     # ii: Dorian, the key’s own notes\n5  | F#dim7  # passing diminished: a rootless dominant ♭9; not functioning diatonically: the symmetric scale\n6  | C7\u002FG    # V7 in F, not resolving: natural tensions\n6  | C7      # V7 in F, not resolving: natural tensions\n7  | G7      # V7 of V7: the dominant of the dominant: natural tensions\n7  | C7      # V7 of F: natural tensions\n8  | F6      # tonic: the 4th is in the key\n8  | Gm7     # ii of the ii–V to F\n8  | C7      # V7 of F: natural tensions\n",1793575895928]