[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:moon-rays":3},"title: Moon Rays\ncomposer: Horace Silver\nstyle: Latin\nkey: Eb\nform: AAB, 48 bars\n# analysis: 2026-10-31, rules v2; Eb\n\nsection: A\n# area: Eb major (A 1–17)\n1  | Fm7\u002FBb     # V7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n2  | Bb7        # V7 of Eb: natural tensions\n3  | EbMaj7\u002FBb  # tonic: the 4th is in the key\n4  | EbMaj7\u002FBb\n5  | F#m7       # ii of B7: Dorian\n6  | B7         # extended ii–V: a side-step, its own key\n7  | Fm7        # ii of Bb7: Dorian\n8  | Bb7        # V7\u002FI in Eb: natural tensions\n9  | Am7b5      # #ivø7 in Eb: Locrian, its own mode (the chord is outside the key)\n10 | Abm7       # iv7 from the parallel minor: Dorian, its notes\n11 | Gm7b5      # iiø7 of F minor: Locrian, the key's own notes (its ♭2 is a passing note)\n12 | C7b9       # V7\u002Fii in Eb: the b13 is in the key, the b9 from the symbol\n13 | Fm7        # ii of the ii–V to Eb\n14 | Bb7        # V7 of Eb: natural tensions\n15 | EbMaj7     # tonic: the 4th is in the key\n16 | EbMaj7\n17 | Bm7b5      # bviø7 in Eb: Locrian, its own mode (the chord is outside the key)\n17 | Bb7        # tritone substitute: resolves down a half step to Am7\n@nav 16 Fine\n@ending 1 16\n@ending 2 17\n\nsection: B\n# area: G major (B 1–4)\n1  | Am7        # ii of the ii–V to G\n2  | D7         # V7 of G: natural tensions\n3  | GMaj7      # tonic: the 4th is in the key\n4  | GMaj7\n# area: Eb major (B 5–16)\n5  | Bbm7       # ii of Eb7: Dorian\n6  | Eb7        # V7\u002FIV in Eb: natural tensions\n7  | Am7        # ii of D7: Dorian\n8  | D7         # extended ii–V: a side-step, its own key\n9  | C#m7b5     # bviiø7 in Eb: Locrian, its own mode (the chord is outside the key)\n10 | Cm7        # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n11 | Bm7b5      # iiø7 of A minor: Locrian, the key's own notes (its ♭2 is a passing note)\n12 | E7b9       # V7\u002F#iv in Eb: b9, #11 and b13 are in the key\n13 | Am7        # ii of the ii–V to G minor\n14 | D7b9       # V7\u002Fiii in Eb: b9 and b13 are in the key\n15 | Gm7        # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n15 | C7         # V7\u002Fii in Eb: the b13 is in the key\n16 | Fm7        # ii of Bb7: Dorian\n16 | Bb7        # V7\u002FI in Eb: natural tensions\n@nav 15 D.C. al 1st End.\n",1793575895803]