[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:moon-mist":3},"title: Moon Mist\ncomposer: Ellington, Johnny Mercer\nstyle: Medium Swing\nkey: F\nform: AABA, 32 bars\n# analysis: 2026-10-31, rules v2; F\n\nsection: A1\n1 | Dm7      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n1 | Dm7\u002FC    # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2 | Bm7b5    # #ivø7 in F: Locrian, its own mode (the chord is outside the key)\n2 | Bb7      # tritone substitute: resolves down a half step to Am7\n3 | Am7      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n3 | Eb7      # tritone substitute: resolves down a half step to D7\n4 | D7       # extended dominant: V7 of G7sus\n5 | G7sus    # II7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n5 | G7       # extended dominant: V7 of C7sus\n6 | C7sus    # V7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n6 | C7       # V7 in F, not resolving: natural tensions\n7 | Am7      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n7 | D7       # V7\u002Fii in F: the b13 is in the key\n8 | Gm7      # ii: Dorian, the key’s own notes\n8 | A7b9     # III7 in F, not resolving: b9 and b13 are in the key\n9 | Gm7      # ii: Dorian, the key’s own notes\n9 | Gb7      # tritone substitute: resolves down a half step to FMaj7\n@ending 1 8\n@ending 2 9\n\nsection: B\n1 | FMaj7    # tonic: the 4th is in the key\n1 | Bb\u002FF     # IV: the #4 is the key’s 7th\n2 | FMaj7    # tonic: the 4th is in the key\n2 | Bb\u002FF     # IV: the #4 is the key’s 7th\n3 | FMaj7    # tonic: the 4th is in the key\n3 | Gm7b5\u002FF  # iiø7, borrowed from F minor: Locrian\n4 | FMaj7    # tonic: the 4th is in the key\n4 | C7sus    # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n5 | FMaj7    # tonic: the 4th is in the key\n5 | Bb\u002FF     # IV: the #4 is the key’s 7th\n6 | FMaj7    # tonic: the 4th is in the key\n6 | Dm7      # ii of G7: Dorian\n7 | G7       # V7\u002FV in F: natural tensions\n7 | G7\u002FF     # II7 in F, not resolving: natural tensions\n8 | Em7b5    # iiø7 of D minor: Locrian, the key's own notes (its ♭2 is a passing note)\n8 | A7b9     # V7\u002Fvi in F: b9 and b13 are in the key\n\nsection: A2\n1 | Dm7      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n1 | Dm7\u002FC    # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2 | Bm7b5    # #ivø7 in F: Locrian, its own mode (the chord is outside the key)\n2 | Bb7      # tritone substitute: resolves down a half step to Am7\n3 | Am7      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n3 | Eb7      # tritone substitute: resolves down a half step to D7\n4 | D7       # extended dominant: V7 of G7sus\n5 | G7sus    # II7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n5 | G7       # extended dominant: V7 of C7sus\n6 | C7sus    # V7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n6 | C7       # V7 of F: natural tensions\n7 | FMaj7    # tonic: the 4th is in the key\n7 | Dm7      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n8 | Em7b5    # iiø7 of D minor: Locrian, the key's own notes (its ♭2 is a passing note)\n8 | A7b9     # V7\u002Fvi in F: b9 and b13 are in the key\n@coda 8\n\nsection: Coda\n1 | FMaj7    # tonic: the 4th is in the key\n1 | Bb7      # extended dominant: V7 of Eb7\n2 | Eb7      # extended dominant: V7 of Ab7\n2 | Ab7      # extended dominant: V7 of Db7\n3 | Db7      # extended dominant: V7 of Gb7\n3 | Gb7      # tritone substitute: resolves down a half step to FMaj7\n4 | FMaj7    # tonic: the 4th is in the key\n@coda 1\n",1793575895786]