[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:moon-and-sand":3},"title: Moon And Sand\ncomposer: Wilder, Palitz\nstyle: Bossa Nova\nkey: Dm\nform: ABA, 40 bars\n# analysis: 2026-10-31, rules v2; D minor\n\nsection: A1\n# area: D minor (A1 1–3)\n1  | Dm7     # tonic minor: Dorian by convention\n2  | BbMaj7  # a non-tonic major chord: Lydian\n3  | AbMaj7  # a non-tonic major chord: Lydian\n# area: Eb major (A1 4–8)\n4  | Bb7sus  # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n5  | EbMaj7  # tonic: the 4th is in the key\n5  | A7      # tritone substitute: resolves down a half step to AbMaj7\n6  | AbMaj7  # the A7 before it makes Ab the key of the moment: the 4th is in the key\n7  | Am7     # ii of the ii–V to G minor\n8  | D7      # V7\u002Fiii in Eb: b9 and b13 are in the key\n# area: D minor (A1 9 – B 2)\n9  | Gm7     # ii of the ii–V to F\n10 | C7      # V7\u002FbIII in D minor: natural tensions\n11 | FMaj7   # bIII of D minor: the relative major itself\n12 | FMaj7\n13 | Bm7b5   # iiø7 of E7b9: Locrian, the key's own notes (its ♭2 is a passing note)\n14 | E7b9    # V7\u002Fv in D minor: b9 and b13 are in the key\n15 | Em7b5   # iiø7 of D minor: Locrian, the key's own notes (its ♭2 is a passing note)\n16 | A7b13   # V7 of D minor: b9 and b13 are in the key\n\nsection: B\n1  | Dm7     # ii of the ii–V to C minor\n2  | G7b9    # V7\u002Fbvii in D minor: the b9 from the symbol\n# area: Bb major (B 3–6)\n3  | Cm7     # ii of the ii–V to Bb\n4  | F7b9    # V7 of Bb: the b9 from the symbol\n5  | BbMaj7  # tonic: the 4th is in the key\n6  | Gm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n# area: D minor (B 7 – A2 3)\n7  | Em7b5   # iiø7 of D minor: Locrian, the key's own notes (its ♭2 is a passing note)\n8  | A7      # V7 of D minor: b9 and b13 are in the key\n\nsection: A2\n1  | Dm7     # tonic minor: Dorian by convention\n2  | BbMaj7  # a non-tonic major chord: Lydian\n3  | AbMaj7  # a non-tonic major chord: Lydian\n# area: Eb major (A2 4–8)\n4  | Bb7sus  # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n5  | EbMaj7  # tonic: the 4th is in the key\n5  | A7      # tritone substitute: resolves down a half step to AbMaj7\n6  | AbMaj7  # the A7 before it makes Ab the key of the moment: the 4th is in the key\n7  | Am7     # ii of the ii–V to G minor\n8  | D7      # V7\u002Fiii in Eb: b9 and b13 are in the key\n# area: D minor (A2 9–16)\n9  | Gm7     # ii of C7: Dorian\n10 | C7      # V7\u002FbIII in D minor: natural tensions\n11 | Am7     # v of a minor key: Phrygian, the key's own notes (its ♭2 is a passing note)\n12 | Dm7     # tonic minor: Dorian by convention\n13 | Gm7     # iv: Dorian, the key’s own notes\n14 | Em7b5   # iiø7 of D minor: Locrian, the key's own notes (its ♭2 is a passing note)\n14 | A7      # V7 of D minor: b9 and b13 are in the key\n15 | Dm7     # tonic minor: Dorian by convention\n16 | Dm7\n",1793575895772]