[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:monks-mood":3},"title: Monk's Mood\ncomposer: Thelonious Monk\nstyle: Ballad\nkey: Db\nform: AABA, 32 bars\nrecording: Thelonious Monk; Genius of Modern Music, Volume 2; Blue Note; 1956\nyoutube: sTVZBl5AUfo\n# analysis: 2026-10-19, rules v2; Db\n# recording: recorded 1947-11-21 (the session index; Wikipedia says 10-24), first issued on 78 (Blue Note 1565), first LP 1956 (BLP 1511) (Wikipedia, jazzdisco)\n# book: Med. Ballad. Anticipated chords at letter B are played on the beat for solos.\n# book: m7(add 11) chords are written m11 here\n\n# bar | chord\n\nsection: A\n# area: Db major (A 1–6)\n1  | Fm7(add11)      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n1  | Bb7b9#11        # back door bVII7 to CMaj9: b9, #11 and 13 from the symbol\n1  | CMaj9           # a non-tonic major chord: Lydian\n# bar 2: the book repeats (CMa9) in parentheses as a reminder; held\n3  | Dm7b5           # iiø7 of G13#11: Locrian, the key's own notes (its ♭2 is a passing note)\n3  | G13#11          # extended ii–V: a side-step, its own key: 9, #11 and 13 from the symbol\n4  | DbMaj7          # tonic: the 4th is in the key\n4  | C               # a non-tonic major chord: Lydian\n4  | Cb              # ♭VII, borrowed from Db minor: Lydian (its ♯11 is in the key)\n5  | Bb7             # tritone substitute: resolves down a half step to A7\n5  | A7              # ♭VI7 from the parallel minor: Lydian Dominant\n6  | E7b9            # tritone substitute: resolves down a half step to Eb7; b9 from the symbol\n# area: D minor (A 6–8)\n6  | Eb7             # tritone substitute: resolves down a half step to Dm7(add11)\n7  | Dm7(add11)      # tonic minor: Dorian by convention\n7  | E9sus4          # static sus: Mixolydian\n8  | Dm7(add11)      # tonic minor: Dorian by convention\n8  | Bb7b9#11        # bVI7 in D minor, not resolving: the #11 is in the key, the b9 from the symbol\n@ending 1 7 8\n@key 9 Db\n# area: Db major (A 9 – B 1)\n9  | Ab7b5           # tritone substitute: resolves down a half step to G13b5\n9  | G13b5           # a chromatic dominant with nowhere to go: Lydian Dominant, its own key\n10 | DbMaj7#11       # from the symbol: #11\n@ending 2 9 10\n\nsection: B\nkey: Db\n1  | Bb\u002FC            # a non-tonic major chord: Lydian\n1  | A\u002FC             # ♭VI, borrowed from Db minor: Lydian (its ♯11 is in the key)\n@key 2 E\n# area: E major (B 2–4)\n2  | Bb\u002FC            # a non-tonic major chord: Lydian\n2  | F#m7            # ii of the ii–V to E\n3  | F#m7\n3  | B13b9           # V7 of E: the b9 from the symbol\n4  | E6              # tonic: the 4th is in the key\n@key 5 Db\n# area: Db major (B 5 – C 8)\n5  | Am7b5           # bviø7 in Db: Locrian, its own mode (the chord is outside the key)\n5  | Ab9             # tritone substitute: resolves down a half step to G7sus4\n5  | G7sus4          # static sus: Mixolydian\n5  | G#dim7          # passing diminished: E7♭9 without its E, the Am7b5's dominant; not functioning diatonically: the symmetric scale\n6  | Am7b5           # bviø7 in Db: Locrian, its own mode (the chord is outside the key)\n6  | F13#11          # III7 in Db, not resolving: 9, #11 and 13 from the symbol\n7  | Fm7(add11)      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n7  | Ebm7(add11)\u002FBb  # ii: Dorian, the key’s own notes\n8  | Dm7(add11)      # a borrowed minor chord: Dorian, its own key\n8  | Bb7b9#11        # VI7 in Db, not resolving: b9, #11 and 13 from the symbol\n\nsection: C\nkey: Db\nbars: 10\n1  | Fm7(add11)      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n1  | Bb7b9#11        # back door bVII7 to CMaj9: b9, #11 and 13 from the symbol\n1  | CMaj9           # a non-tonic major chord: Lydian\n# bar 2: (CMa9) repeated in parentheses as a reminder; held\n3  | Dm7b5           # iiø7 of G13#11: Locrian, the key's own notes (its ♭2 is a passing note)\n3  | G13#11          # extended ii–V: a side-step, its own key: 9, #11 and 13 from the symbol\n4  | DbMaj7          # tonic: the 4th is in the key\n4  | C               # a non-tonic major chord: Lydian\n4  | Cb              # ♭VII, borrowed from Db minor: Lydian (its ♯11 is in the key)\n5  | Bb7             # tritone substitute: resolves down a half step to A7\n5  | A7              # ♭VI7 from the parallel minor: Lydian Dominant\n6  | E7b9            # tritone substitute: resolves down a half step to Eb7; b9 from the symbol\n6  | Eb7             # V7 of V7: the dominant of the dominant: natural tensions\n7  | Ab7b5           # tritone substitute: resolves down a half step to G13b5\n7  | G13b5           # a chromatic dominant with nowhere to go: Lydian Dominant, its own key\n8  | DbMaj7#11       # from the symbol: #11\n",1793484801476]