[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:moanin":3},"title: Moanin'\ncomposer: Bobby Timmons\nstyle: Medium Swing\nkey: Fm\nform: AABAAB, 48 bars\n# analysis: 2026-10-31, rules v2; F minor\n\nsection: A1\n1 | N.C.\n1 | Bb     # a non-tonic major chord: Lydian\n2 | F      # a non-tonic major chord: Lydian\n2 | N.C.\n3 | N.C.\n3 | Bb     # a non-tonic major chord: Lydian\n4 | F      # a non-tonic major chord: Lydian\n4 | N.C.\n5 | N.C.\n5 | Bb     # a non-tonic major chord: Lydian\n6 | F      # a non-tonic major chord: Lydian\n6 | N.C.\n7 | N.C.\n7 | Bb     # a non-tonic major chord: Lydian\n8 | F      # a non-tonic major chord: Lydian\n8 | N.C.\n@nav 8 Fine\n\nsection: A2\ncopy: A1\n\nsection: B1\n1 | Bbm7   # iv: Dorian, the key’s own notes\n1 | Ab7    # tritone substitute: resolves down a half step to G7b9\n2 | G7b9   # V7 of V7: the dominant of the dominant, on the way to F minor: b9 and b13 are in the key\n2 | C7#9   # V7 of F minor, the chain's last link: the b13 is in the key, b9, #9 and #11 from the symbol\n3 | Fm7    # tonic minor: Dorian by convention\n4 | F7b9   # I7 in F minor, not resolving: the b13 is in the key, the b9 from the symbol\n4 | B7#11  # tritone substitute: resolves down a half step to Bbm7\n5 | Bbm7   # iv: Dorian, the key’s own notes\n5 | Ab7    # tritone substitute: resolves down a half step to G7b9\n6 | G7b9   # II7 in F minor, not resolving: b9 and b13 are in the key\n7 | Gm7b5  # iiø7 of F minor: Locrian, the key's own notes (its ♭2 is a passing note)\n8 | C7b9   # V7 of F minor: b9 and b13 are in the key\n@nav 8 D.C. al Fine\n\nsection: A3\n1 | Fm7    # tonic minor: Dorian by convention\n1 | Ab7    # tritone substitute: resolves down a half step to G7\n2 | G7     # V7 of V7: the dominant of the dominant, on the way to F minor: b9 and b13 are in the key\n2 | C7b9   # V7 of F minor, the chain's last link: b9 and b13 are in the key\n3 | Fm7    # tonic minor: Dorian by convention\n3 | Ab7    # tritone substitute: resolves down a half step to G7\n4 | G7     # V7 of V7: the dominant of the dominant, on the way to F minor: b9 and b13 are in the key\n4 | C7b9   # V7 of F minor, the chain's last link: b9 and b13 are in the key\n5 | Fm7    # tonic minor: Dorian by convention\n5 | Ab7    # tritone substitute: resolves down a half step to G7\n6 | G7     # V7 of V7: the dominant of the dominant, on the way to F minor: b9 and b13 are in the key\n6 | C7b9   # V7 of F minor, the chain's last link: b9 and b13 are in the key\n7 | Fm7    # tonic minor: Dorian by convention\n7 | Ab7    # tritone substitute: resolves down a half step to G7\n8 | G7     # V7 of V7: the dominant of the dominant, on the way to F minor: b9 and b13…; the repeat at A4 bar 8 would be G Mixolydian\n8 | C7b9   # V7 of F minor, the chain's last link: b9 and b13 are in the key\n@segno 1\n@nav 8 Fine\n\nsection: A4\ncopy: A3\n\nsection: B2\n1 | Bbm7   # iv: Dorian, the key’s own notes\n1 | Ab7    # tritone substitute: resolves down a half step to G7b9\n2 | G7b9   # V7 of V7: the dominant of the dominant, on the way to F minor: b9 and b13 are in the key\n2 | C7#9   # V7 of F minor, the chain's last link: the b13 is in the key, b9, #9 and #11 from the symbol\n3 | Fm7    # tonic minor: Dorian by convention\n4 | F7b9   # I7 in F minor, not resolving: the b13 is in the key, the b9 from the symbol\n4 | B7#11  # tritone substitute: resolves down a half step to Bbm7\n5 | Bbm7   # iv: Dorian, the key’s own notes\n5 | Ab7    # tritone substitute: resolves down a half step to G7b9\n6 | G7b9   # II7 in F minor, not resolving: b9 and b13 are in the key\n7 | Gm7b5  # iiø7 of C7b9: Locrian, the key's own notes (its ♭2 is a passing note)\n8 | C7b9   # V7\u002Fi in F minor: b9 and b13 are in the key\n@nav 8 D.S. al Fine\n",1793575895559]