[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:misty":3},"title: Misty\ncomposer: Erroll Garner\nstyle: Medium Ballad\nkey: Eb\nform: AABA, 32 bars\nrecording: Erroll Garner; Contrasts; EmArcy; 1954\nyoutube: UOLEEkYO4MA\n# analysis: 2026-10-19, rules v2; Eb\n# recording: recorded 1954-07-27, Universal Recording, Chicago, with Wyatt Ruther and Eugene \"Fats\" Heard, master 10845, the composer's first recording; first issued as a single in October 1954, LP December 1954 (MG 36001); sources: microgroove.jp, Wikipedia; video: \"Provided to YouTube by Universal Music Group\", The Original Misty (the CD of Contrasts), the same take\n# Bars 17, 19 and 32: the book's parenthesised chords are kept. Bars 5, 13 and 29: EbMaj7 may be played as Gm7.\n\n# bar | chord | scale\n\nsection: A1\n1 | EbMaj7   # tonic: the 4th is in the key\n2 | Bbm9     # ii of the ii–V to Ab\n2 | Eb13b9   # V7\u002FIV in Eb: the b9 from the symbol\n3 | AbMaj7   # the Eb13b9 before it makes Ab the key of the moment: the 4th is in the key\n4 | Abm9     # ii of Db13: Dorian\n4 | Db13     # back door bVII7 to EbMaj7: the #11 is in the key\n5 | EbMaj7   # tonic: the 4th is in the key\n5 | Cm7      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n6 | Fm7      # ii of Bb7: Dorian\n6 | Bb7      # V7\u002FI in Eb: natural tensions\n7 | G7       # extended dominant: each one falls a fifth into the next: natural tensions\n7 | C7       # extended dominant: each one falls a fifth into the next: natural tensions\n8 | F9       # V7 of V7: the dominant of the dominant: natural tensions\n8 | Bb13     # V7 of Eb: natural tensions\n\nsection: A2\n1 | EbMaj7   # tonic: the 4th is in the key\n2 | Bbm9     # ii of the ii–V to Ab\n2 | Eb13b9   # V7\u002FIV in Eb: the b9 from the symbol\n3 | AbMaj7   # the Eb13b9 before it makes Ab the key of the moment: the 4th is in the key\n4 | Abm9     # ii of Db13: Dorian\n4 | Db13     # back door bVII7 to EbMaj7: the #11 is in the key\n5 | EbMaj7   # tonic: the 4th is in the key\n5 | Cm7      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n6 | Fm7      # ii of the ii–V to Eb\n6 | Bb7      # V7 of Eb: natural tensions\n7 | Eb6      # tonic: the 4th is in the key\n7 | Bb9sus4  # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n8 | Eb6      # tonic: the 4th is in the key\n\nsection: B\n1 | Bbm7    |  | ii7\u002FIV  # * ii of the ii–V to Ab\n1 | BbmMaj7  # from the symbol: minor-major 7th\n2 | Bbm7     # ii of the ii–V to Ab\n2 | Eb7b9    # V7\u002FIV in Eb: the b9 from the symbol\n3 | AbMaj7   # the Eb7b9 before it makes Ab the key of the moment: the 4th is in the key\n3 | Bbm7     # ii of the ii–V to Ab\n3 | Eb7      # V7\u002FIV in Eb: natural tensions\n4 | Ab6      # the Eb7 before it makes Ab the key of the moment: the 4th is in the key\n5 | Am11     # ii of D7: Dorian\n6 | D7       # extended ii–V: a side-step, its own key\n6 | F7       # V7 of V7: the dominant of the dominant: natural tensions\n7 | Bb7     |  | V7      # * V7 of Eb: natural tensions\n7 | Edim7    # vii°7 of Fm7: C7♭9 without its root\n8 | Fm7      # ii of the ii–V to Eb\n8 | Bb13     # V7 of Eb: natural tensions\n\nsection: A3\n1 | EbMaj7   # tonic: the 4th is in the key\n2 | Bbm9     # ii of the ii–V to Ab\n2 | Eb13b9   # V7\u002FIV in Eb: the b9 from the symbol\n3 | AbMaj7   # the Eb13b9 before it makes Ab the key of the moment: the 4th is in the key\n4 | Abm9     # ii of Db13: Dorian\n4 | Db13     # back door bVII7 to EbMaj7: the #11 is in the key\n5 | EbMaj7   # tonic: the 4th is in the key\n5 | Cm7      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n6 | Fm7      # ii of the ii–V to Eb\n6 | Bb7      # V7 of Eb: natural tensions\n7 | Eb6      # tonic: the 4th is in the key\n8 | Fm7      # ii of the ii–V to Eb\n8 | Bb13     # V7 of Eb: natural tensions\n",1793484801404]