[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:miss-premise":3},"title: Miss Premise\nsubtitle: Jazz waltz\ncomposer: Bob Gillis\nstyle: Waltz\nkey: Eb\ntime: 3\u002F4\nform: AB, 32 bars\n# analysis: 2026-10-19, rules v2; Eb\n\n# bar | chord | scale\n\nsection: A\n# area: Eb major (A 1 – B 7)\n1  | EbMaj7#11  # from the symbol: #11\n2  | GbMaj7#5   # from the symbol: #5\n3  | Fm11       # ii: Dorian, the key’s own notes\n4  | C#m7       # ii of F#7: Dorian\n4  | F#7        # extended ii–V: a side-step, its own key\n5  | A7#11      # a chromatic dominant with nowhere to go: Lydian Dominant, its own key\n6  | F#7        # ♭III7 from the parallel minor: Lydian Dominant\n6  | Gdim7      # vii°7 of Abm7: Eb7♭9 without its root\n7  | Abm7       # a borrowed minor chord: Dorian, its own key\n8  | Abm7\u002FBb    # a borrowed minor chord: Dorian, its own key\n9  | Bm7        # a borrowed minor chord: Dorian, its own key\n10 | Bb7alt     # from the symbol: altered\n11 | Fm7        # ii: Dorian, the key’s own notes\n11 | Fm7\u002FEb     # ii: Dorian, the key’s own notes\n12 | Dm11       # a borrowed minor chord: Dorian, its own key\n12 | Db7        # tritone substitute: resolves down a half step to Cm7\n13 | Cm7        # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n13 | Cm7\u002FBb     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n14 | Am7b5      # iiø7 of D7\u002FF#: Locrian, the key's own notes (its ♭2 is a passing note)\n14 | D7\u002FF#      # V7\u002Fiii in Eb: b9 and b13 are in the key\n15 | Fm7        # ii: Dorian, the key’s own notes\n15 | Fm7\u002FEb     # ii: Dorian, the key’s own notes\n16 | Db13#11    # back door bVII7 to EbMaj7#11: the #11 is in the key\n\nsection: B\nbars: 16\n1  | EbMaj7#11  # from the symbol: #11\n2  | GbMaj7#5   # from the symbol: #5\n3  | Fm11       # ii: Dorian, the key’s own notes\n4  | C#m7       # ii of F#7: Dorian\n4  | F#7        # extended ii–V: a side-step, its own key\n5  | A7#11      # a chromatic dominant with nowhere to go: Lydian Dominant, its own key\n6  | F#7        # ♭III7 from the parallel minor: Lydian Dominant\n6  | Gdim7      # vii°7 of Abm7: Eb7♭9 without its root\n7  | Abm7       # a borrowed minor chord: Dorian, its own key\n# area: G major (B 8–9)\n8  | Am7        # ii of the ii–V to G\n8  | D7         # V7 of G: natural tensions\n9  | GMaj7#11   # from the symbol: #11\n# area: D major (B 10–15)\n10 | Eb7alt     # from the symbol: altered\n11 | DMaj7#11   # from the symbol: #11\n12 | Bb7alt     # from the symbol: altered\n13 | Fm7        # a borrowed minor chord: Dorian, its own key\n13 | Gm7        # a borrowed minor chord: Dorian, its own key\n14 | AbMaj7     # a non-tonic major chord: Lydian\n14 | DbMaj7#11  # from the symbol: #11\n15 | EMaj7#11   # from the symbol: #11\n",1793484801394]