[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:minoat":3},"title: Minoat\ncomposer: Mal Waldron\nstyle: Ballad\nkey: Cm\nform: AABA, 32 bars\n# analysis: 2026-10-31, rules v2; C minor\n\nsection: A1\n# area: C minor (A1 1 – B 1)\n1  | F7#11      # IV7 in C minor, not resolving: the #11 from the symbol\n2  | Fm9        # ii of Bb7b9: Dorian\n2  | Bb7b9      # V7\u002FbIII in C minor: the b9 from the symbol\n3  | AbMaj7#11  # from the symbol: #11\n4  | G7b13      # V7 of C minor: b9 and b13 are in the key\n5  | Cm7        # tonic minor: Dorian by convention\n5  | B+\u002FC#      # from the symbol: augmented\n6  | Dm7b5      # iiø7 of C minor: Locrian, the key's own notes (its ♭2 is a passing note)\n6  | G7b13      # V7 of C minor: b9 and b13 are in the key\n7  | Cm6\u002F9      # tonic minor sixth chord: melodic minor, the raised 7th is a tension\n8  | C7b9       # I7 in C minor, not resolving: the b13 is in the key, the b9 from the symbol\n9  | Cm6\u002F9      # tonic minor sixth chord: melodic minor, the raised 7th is a tension\n10 | Cm6\u002F9\n@ending 1 7 8\n@ending 2 9 10\n\nsection: B\n1  | FmMaj7     # from the symbol: minor-major 7th\n# area: Gb major (B 2–5)\n2  | Abm7       # ii of the ii–V to Gb\n2  | Db9        # V7 of Gb: natural tensions\n3  | GbMaj7     # tonic: the 4th is in the key\n3  | C7b9       # tritone substitute: resolves down a half step to B9; b9 from the symbol\n4  | B9         # IV7 in Gb, not resolving: the #11 is in the key\n4  | Ab+\u002FBb     # from the symbol: augmented\n5  | Am7b5      # biiiø7 in Gb: Locrian, its own mode (the chord is outside the key)\n# area: C minor (B 6 – A2 8)\n6  | Cm7        # ii of F7: Dorian\n6  | F7         # V7\u002FbVII in C minor: natural tensions\n7  | Ab7#11     # bVI7 in C minor, not resolving: the #11 is in the key\n7  | Abm6       # a minor sixth chord: Dorian\n8  | Gm11       # ii of C7: Dorian\n8  | C7         # extended dominant: V7 of F7#11\n\nsection: A2\n1  | F7#11      # IV7 in C minor, not resolving: the #11 from the symbol\n2  | Fm9        # ii of Bb7b9: Dorian\n2  | Bb7b9      # V7\u002FbIII in C minor: the b9 from the symbol\n3  | AbMaj7#11  # from the symbol: #11\n4  | G7b13      # V7 of C minor: b9 and b13 are in the key\n5  | Cm7        # tonic minor: Dorian by convention\n5  | B+\u002FC#      # from the symbol: augmented\n6  | Dm7b5      # iiø7 of C minor: Locrian, the key's own notes (its ♭2 is a passing note)\n6  | G7b13      # V7 of C minor: b9 and b13 are in the key\n7  | Cm6\u002F9      # tonic minor sixth chord: melodic minor, the raised 7th is a tension\n8  | C7b9       # extended dominant: V7 of F7#11; b9 from the symbol\n",1793575895395]