[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:miles-ahead":3},"title: Miles Ahead\ncomposer: Miles Davis\nstyle: Medium Swing\nkey: C\nform: AB, 32 bars\n# analysis: 2026-10-31, rules v2; C\n\nsection: A\n1  | CMaj7   # tonic: the 4th is in the key\n2  | CMaj7\n3  | CMaj7\n4  | CMaj7\n5  | Dm7     # ii: Dorian, the key’s own notes\n6  | Gm7     # a borrowed minor chord: Dorian, its own key\n7  | Gm7\n8  | Gm7\n9  | FMaj7   # IV: the #4 is the key’s 7th\n10 | FMaj7\n11 | BbMaj7  # ♭VIImaj7, borrowed from C minor: Lydian (its ♯11 is in the key)\n12 | B7      # V7 of E7, on the way to A minor: b9 and b13 are in the key\n12 | E7      # V7 of A minor, the chain's last link: b9 and b13 are in the key\n13 | Am      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n13 | Am\u002FG    # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n14 | F#m7b5  # #ivø7 in C: Locrian, its own mode (the chord is outside the key)\n14 | F7      # IV7 in C, not resolving: the #11 is in the key\n15 | Em7b5   # iiø7 of D minor: Locrian, the key's own notes (its ♭2 is a passing note)\n16 | A7      # V7\u002Fii in C: the b13 is in the key\n\nsection: B\n1  | Dm7     # ii: Dorian, the key’s own notes\n2  | Dm7\n3  | CMaj7   # tonic: the 4th is in the key\n4  | CMaj7\n5  | Dm7     # ii: Dorian, the key’s own notes\n6  | Gm7     # ii of the ii–V to F\n7  | C7      # V7\u002FIV in C: natural tensions\n8  | FMaj7   # the C7 before it makes F the key of the moment: the 4th is in the key\n9  | Bm7b5   # iiø7 of E7b13: Locrian, the key's own notes (its ♭2 is a passing note)\n10 | E7b13   # V7\u002Fvi in C: b9 and b13 are in the key\n11 | Em7b5   # iiø7 of D minor: Locrian, the key's own notes (its ♭2 is a passing note)\n12 | A7      # V7\u002Fii in C: the b13 is in the key\n13 | Dm7     # ii of G7: Dorian\n14 | G7      # V7\u002FI in C: natural tensions\n15 | D7      # V7 of V7: the dominant of the dominant: natural tensions\n16 | G7      # V7 of C: natural tensions\n@coda 11\n\nsection: Coda\n1  | A7      # V7\u002Fii in C: the b13 is in the key\n2  | Dm7     # ii of G7sus: Dorian\n3  | Dm7\n4  | G7sus   # static sus: Mixolydian\n5  | BbMaj7  # ♭VIImaj7, borrowed from C minor: Lydian (its ♯11 is in the key)\n6  | Db7     # tritone substitute: resolves down a half step to CMaj7\n7  | CMaj7   # tonic: the 4th is in the key\n8  | CMaj7\n@coda 1\n",1793575895312]