[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:midnight-sun":3},"title: Midnight Sun\ncomposer: Lionel Hampton, Sonny Burke, Johnny Mercer\nstyle: Medium Swing\nkey: C\nform: AABA, 50 bars\n# analysis: 2026-10-31, rules v2; C\n\nsection: A1\n# area: C major (A1 1–2)\n1  | CMaj7   # tonic: the 4th is in the key\n2  | C6      # tonic: the 4th is in the key\n2  | CMaj7   # tonic: the 4th is in the key\n# area: Bb major (A1 3–6)\n3  | Cm7     # ii of the ii–V to Bb\n3  | F9#11   # V7 of Bb: the #11 from the symbol\n4  | F9#11\nalt 4  | F9#11\nalt 4  | B7      # tritone substitute: resolves down a half step to BbMaj7\n5  | BbMaj7  # tonic: the 4th is in the key\n6  | Bb6     # tonic: the 4th is in the key\n6  | BbMaj7  # tonic: the 4th is in the key\n# area: Ab major (A1 7–10)\n7  | Bbm7    # ii of the ii–V to Ab\n7  | Eb9#11  # V7 of Ab: the #11 from the symbol\n8  | Eb9#11\nalt 8  | Eb9#11\nalt 8  | A7      # tritone substitute: resolves down a half step to AbMaj7\n9  | AbMaj7  # tonic: the 4th is in the key\n10 | Ab6     # tonic: the 4th is in the key\n10 | AbMaj7  # tonic: the 4th is in the key\n# area: C major (A1 11–15)\n11 | Abm7    # ii of Db9#11: Dorian\n11 | Db9#11  # tritone substitute: resolves down a half step to CMaj7\n12 | Db9#11\n13 | CMaj7   # tonic: the 4th is in the key\n14 | Dm7     # ii of the ii–V to C\n14 | G7      # V7 of C: natural tensions\n15 | CMaj7   # tonic: the 4th is in the key\n15 | Am7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n# area: E major (A1 16 – B 1)\n16 | F#m7b5  # iiø7 of E: Locrian, the key's own notes (its ♭2 is a passing note)\n16 | B7      # V7 of E: natural tensions\n@ending 1 13 14\n@ending 2 15 16\n\nsection: B\n1  | EMaj7   # tonic: the 4th is in the key\n# area: D major (B 2–5)\n2  | Em7     # ii of the ii–V to D\n2  | A7      # V7 of D: natural tensions\n3  | DMaj7   # tonic: the 4th is in the key\n4  | Em7     # ii: Dorian, the key’s own notes\n4  | Eb7     # tritone substitute: resolves down a half step to DMaj7\n5  | DMaj7   # tonic: the 4th is in the key\n# area: C major (B 6 – A2 2)\n6  | Dm7     # ii of G7: Dorian\n6  | G7      # V7\u002FI in C: natural tensions\n7  | Em7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n7  | Eb7     # tritone substitute: resolves down a half step to Dm7\n8  | Dm7     # ii: Dorian, the key’s own notes\n8  | Db7     # tritone substitute: resolves down a half step to CMaj7\n\nsection: A2\n1  | CMaj7   # tonic: the 4th is in the key\n2  | C6      # tonic: the 4th is in the key\n2  | CMaj7   # tonic: the 4th is in the key\n# area: Bb major (A2 3–6)\n3  | Cm7     # ii of the ii–V to Bb\n3  | F9#11   # V7 of Bb: the #11 from the symbol\n4  | F9#11\nalt 4  | F9#11\nalt 4  | B7      # tritone substitute: resolves down a half step to BbMaj7\n5  | BbMaj7  # tonic: the 4th is in the key\n6  | Bb6     # tonic: the 4th is in the key\n6  | BbMaj7  # tonic: the 4th is in the key\n# area: Ab major (A2 7–10)\n7  | Bbm7    # ii of the ii–V to Ab\n7  | Eb9#11  # V7 of Ab: the #11 from the symbol\n8  | Eb9#11\nalt 8  | Eb9#11\nalt 8  | A7      # tritone substitute: resolves down a half step to AbMaj7\n9  | AbMaj7  # tonic: the 4th is in the key\n10 | Ab6     # tonic: the 4th is in the key\n10 | AbMaj7  # tonic: the 4th is in the key\n# area: C major (A2 11–14)\n11 | Abm7    # ii of Db9#11: Dorian\n11 | Db9#11  # tritone substitute: resolves down a half step to CMaj7\n12 | Db9#11\n13 | CMaj7   # tonic: the 4th is in the key\n14 | Dm7     # ii of the ii–V to C\n14 | G7      # V7 of C: natural tensions\n",1793575895249]