[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:midnight-mood":3},"title: Midnight Mood\ncomposer: Joe Zawinul\nstyle: Waltz\nkey: Db\ntime: 3\u002F4\nform: A, 24 bars\n# analysis: 2026-10-31, rules v2; Db\n\nsection: A\n1  | DbMaj7     # tonic: the 4th is in the key\n2  | Ebm7b5\u002FDb  # iiø7, borrowed from Db minor: Locrian\n3  | DbMaj7     # tonic: the 4th is in the key\n4  | Ebm7b5\u002FDb  # iiø7, borrowed from Db minor: Locrian\n5  | DbMaj7     # tonic: the 4th is in the key\n6  | Ebm7b5\u002FDb  # iiø7, borrowed from Db minor: Locrian\n7  | DbMaj7     # tonic: the 4th is in the key\n8  | G7b9b5     # tritone substitute: resolves down a half step to GbMaj7; b9 from the symbol\n9  | GbMaj7     # the G7b9b5 before it makes Gb the key of the moment: the 4th is in the key\n10 | C7#9       # V7\u002Fiii in Db: the b13 is in the key, b9, #9 and #11 from the symbol\n11 | Fm7        # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n12 | Bbm7       # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n13 | Ebm7       # ii of Ebm7\u002FAb: Dorian\n14 | Ebm7\u002FAb    # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n15 | Abm7\u002FDb    # static sus: Mixolydian\n16 | G7b9b5     # tritone substitute: resolves down a half step to GbMaj7; b9 from the symbol\n17 | GbMaj7     # the G7b9b5 before it makes Gb the key of the moment: the 4th is in the key\n18 | C7#9       # V7\u002Fiii in Db: the b13 is in the key, b9, #9 and #11 from the symbol\n19 | Fm7        # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n20 | Bb7#9      # V7\u002Fii in Db: the b13 is in the key, b9, #9 and #11 from the symbol\n21 | Ebm7       # ii of the ii–V to Db\n22 | Ab7        # V7 of Db: natural tensions\n23 | DbMaj7     # tonic: the 4th is in the key\n24 | Ebm7b5\u002FDb  # iiø7, borrowed from Db minor: Locrian\n",1793575895230]