[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:menino-das-laranjas":3},"title: Menino das Laranjas\ncomposer: Théo de Barros\nstyle: Samba\nkey: Am\nform: ABCB, 48 bars\nrecording: Elis Regina; Samba, Eu Canto Assim; Philips; 1965\n# analysis: 2026-10-28, rules v2; A minor\n# recording: Philips P 632.742 L; the release that made the song known (rule 2; the composer did not record it first); sources: MusicBrainz; no official upload of the album track found (only a compilation)\n\nsection: A\n# area: A minor (A 1–16)\n1  | Am7     # ii of D7: Dorian\n2  | D7      # V7\u002FbVII in A minor: natural tensions\n3  | Am7     # ii of D7: Dorian\n4  | D7      # V7\u002FbVII in A minor: natural tensions\n5  | Am7     # tonic minor: Dorian by convention\n6  | Gm7     # ii of C7: Dorian\n6  | C7      # extended dominant: V7 of F7\n7  | F7      # extended dominant: V7 of Bb7\n7  | Bb7     # a chromatic dominant with nowhere to go: Lydian Dominant, its own key\n8  | FMaj7   # a non-tonic major chord: Lydian\n9  | C7      # V7 of the FMaj7 before it: natural tensions\n10 | C7\n11 | Bb7     # tritone substitute: resolves down a half step to Am7\n12 | Am7     # tonic minor: Dorian by convention\n13 | C7      # extended dominant: V7 of F7\n14 | F7      # tritone substitute: resolves down a half step to E7\n15 | F7\n15 | E7      # V7 of A minor: b9 and b13 are in the key\n16 | Am7     # tonic minor: Dorian by convention\n\nsection: B1\n# area: F major (B1 1–3)\n1  | Gm7     # ii of the ii–V to F\n1  | C7      # V7 of F: natural tensions\n2  | FMaj7   # tonic: the 4th is in the key\n3  | F7      # tritone substitute: resolves down a half step to E7\n# area: A minor (B1 3–4)\n3  | E7      # V7 of A minor: b9 and b13 are in the key\n4  | Am7     # tonic minor: Dorian by convention\n# area: F major (B1 5–7)\n5  | Gm7     # ii of the ii–V to F\n5  | C7      # V7 of F: natural tensions\n6  | FMaj7   # tonic: the 4th is in the key\n7  | F7      # tritone substitute: resolves down a half step to E7\n# area: A minor (B1 7–8)\n7  | E7      # V7 of A minor: b9 and b13 are in the key\n8  | Am7     # tonic minor: Dorian by convention\n\nsection: C\n# area: Eb major (C 1–4)\n1  | Fm7     # ii of the ii–V to Eb\n2  | Bb7     # V7 of Eb: natural tensions\n3  | EbMaj7  # tonic: the 4th is in the key\n4  | EbMaj7\n# area: Db major (C 5–8)\n5  | Ebm7    # ii of the ii–V to Db\n6  | Ab7     # V7 of Db: natural tensions\n7  | DbMaj7  # tonic: the 4th is in the key\n8  | DbMaj7\n# area: B major (C 9–16)\n9  | C#m7    # ii of the ii–V to B\n10 | F#7     # V7 of B: natural tensions\n11 | BMaj7   # tonic: the 4th is in the key\n12 | BMaj7\n13 | Cm7     # ii of F7: Dorian\n14 | F7      # extended ii–V: a side-step, its own key\n15 | Bm7     # ii of E7: Dorian\n16 | E7      # extended ii–V: a side-step, its own key\n\nsection: B2\n# area: A minor (B2 1–4)\n1  | Gm7     # ii of the ii–V to F\n1  | C7      # V7\u002FbVI in A minor: natural tensions\n2  | FMaj7   # a non-tonic major chord: Lydian\n3  | F7      # tritone substitute: resolves down a half step to E7\n3  | E7      # V7 of A minor: b9 and b13 are in the key\n4  | Am7     # tonic minor: Dorian by convention\n# area: F major (B2 5–7)\n5  | Gm7     # ii of the ii–V to F\n5  | C7      # V7 of F: natural tensions\n6  | FMaj7   # tonic: the 4th is in the key\n7  | F7      # tritone substitute: resolves down a half step to E7\n# area: A minor (B2 7–8)\n7  | E7      # V7 of A minor: b9 and b13 are in the key\n8  | Am7     # tonic minor: Dorian by convention\n",1793484801302]