[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:menina-flor":3},"title: Menina Flor\ncomposer: Luiz Bonfa\nstyle: Bossa Nova\nkey: Eb\nform: AA, 80 bars\n# analysis: 2026-10-31, rules v2; Eb\n\nsection: A1\n# area: Eb major (A1 1–12)\n1  | Eb      # tonic: the 4th is in the key\n2  | C+      # from the symbol: augmented\n3  | F9      # II7 in Eb, not resolving: natural tensions\n4  | F9\n5  | Fm7     # ii of Bb7: Dorian\n6  | Bb7     # V7\u002FI in Eb: natural tensions\n7  | D       # a non-tonic major chord: Lydian\n8  | Eb      # tonic: the 4th is in the key\n9  | Eb\n10 | Fm7     # ii: Dorian, the key’s own notes\n11 | GMaj7   # a non-tonic major chord: Lydian\n12 | Em7     # a borrowed minor chord: Dorian, its own key\n# area: G major (A1 13–15)\n13 | Am7     # ii of the ii–V to G\n14 | D7      # V7 of G: natural tensions\n15 | G       # tonic: the 4th is in the key\n# area: Eb major (A1 16 – A2 12)\n16 | Fm7     # ii of the ii–V to Eb\n16 | Bb7     # V7 of Eb: natural tensions\n17 | Eb      # tonic: the 4th is in the key\n18 | C+      # from the symbol: augmented\n19 | F9      # II7 in Eb, not resolving: natural tensions\n20 | F9\n21 | Fm7     # ii of Bb7: Dorian\n22 | Bb7     # V7\u002FI in Eb: natural tensions\n23 | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n24 | C7      # V7\u002Fii in Eb: the b13 is in the key\n25 | Fm9     # ii: Dorian, the key’s own notes\n26 | Db9     # ♭VII7 from the parallel minor: Lydian Dominant\n27 | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n28 | Cm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n29 | Fm7     # ii of Bb7: Dorian\n30 | Bb7     # V7\u002FI in Eb: natural tensions\n31 | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n32 | C7      # V7\u002Fii in Eb: the b13 is in the key\n33 | Fm9     # ii: Dorian, the key’s own notes\n34 | Db9     # ♭VII7 from the parallel minor: Lydian Dominant\n35 | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n36 | Cm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n37 | Fm7     # ii of the ii–V to Eb\n38 | Bb7     # V7 of Eb: natural tensions\n39 | Eb      # tonic: the 4th is in the key\n40 | Eb\n@coda 38\n\nsection: A2\ncopy: A1\n\nsection: Coda\n1  | Bb7     # V7 of the Eb before it: natural tensions\n2  | Am7b5   # #ivø7 in Eb: Locrian, its own mode (the chord is outside the key)\n3  | Abm7    # iv7 from the parallel minor: Dorian, its notes\n4  | Eb\u002FG    # tonic: the 4th is in the key\n5  | Gb7     # tritone substitute: resolves down a half step to Fm7\n6  | Fm7     # ii: Dorian, the key’s own notes\n7  | EMaj7   # ♭IImaj7, borrowed from Eb Phrygian: Lydian (its ♯11 is in the key)\n8  | EbMaj9  # tonic: the 4th is in the key\n@coda 1\n",1793575895180]