[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:memories-of-you":3},"title: Memories Of You\ncomposer: Eubie Blake\nstyle: Ballad\nkey: C\nform: AABA, 32 bars\n# analysis: 2026-10-31, rules v2; C\n\nsection: A1\n1 | CMaj7    # tonic: the 4th is in the key\n1 | Dbdim7   # vii°7 of Dm7: A7♭9 without its root\n2 | Dm7      # ii: Dorian, the key’s own notes\n2 | Ebdim7   # vii°7 to CMaj7\u002FE, up to its bass: B7♭9 without its root\n3 | CMaj7\u002FE  # tonic: the 4th is in the key\n3 | Am7      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\nalt 3 | CMaj7    # tonic: the 4th is in the key\nalt 3 | Am7      # ii of D7#11: Dorian\n4 | F#m7b5   # #ivø7 in C: Locrian, its own mode (the chord is outside the key)\n4 | Fm6      # a minor sixth chord: Dorian\nalt 4 | D7#11    # V7\u002FV in C: the #11 from the symbol\nalt 4 | Fm6      # a minor sixth chord: Dorian\n5 | CMaj7    # tonic: the 4th is in the key\n5 | B7       # tritone substitute: resolves down a half step to Bb7\nalt 5 | CMaj7\u002FE  # tonic: the 4th is in the key\nalt 5 | F7       # tritone substitute: resolves down a half step to Em7\n6 | Bb7      # tritone substitute: resolves down a half step to A7\n6 | A7       # extended dominant: each one falls a fifth into the next: natural tensions\nalt 6 | Em7      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\nalt 6 | A7       # extended dominant: each one falls a fifth into the next: natural tensions\n7 | D7       # V7 of V7: the dominant of the dominant: natural tensions\n7 | G7       # V7 of C: natural tensions\n8 | C6       # tonic: the 4th is in the key\n8 | Dm7      # ii of the ii–V to C\n8 | G7       # V7 of C: natural tensions\n9 | C6       # tonic: the 4th is in the key\n9 | Bm7b5    # iiø7 of A minor: Locrian, the key's own notes (its ♭2 is a passing note)\n9 | E7       # V7\u002Fvi in C: b9 and b13 are in the key\n@ending 1 8\n@ending 2 9\n\nsection: B\n1 | Am7      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2 | F7       # IV7 in C, not resolving: the #11 is in the key\n3 | Am7      # ii of D7: Dorian\n4 | D7       # V7\u002FV in C: natural tensions\n4 | E7b13    # V7\u002Fvi in C: b9 and b13 are in the key\n5 | Am7      # ii of D7sus: Dorian\n6 | D7sus    # II7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n6 | D7       # II7 in C, not resolving: natural tensions\n7 | Dm7      # ii of the ii–V to C\n8 | G7       # V7 of C: natural tensions\n\nsection: A2\n1 | CMaj7    # tonic: the 4th is in the key\n1 | Dbdim7   # vii°7 of Dm7: A7♭9 without its root\n2 | Dm7      # ii: Dorian, the key’s own notes\n2 | Ebdim7   # vii°7 to CMaj7\u002FE, up to its bass: B7♭9 without its root\n3 | CMaj7\u002FE  # tonic: the 4th is in the key\n3 | Am7      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n4 | F#m7b5   # #ivø7 in C: Locrian, its own mode (the chord is outside the key)\n4 | Fm6      # a minor sixth chord: Dorian\n5 | CMaj7    # tonic: the 4th is in the key\n5 | B7       # tritone substitute: resolves down a half step to Bb7\n6 | Bb7      # tritone substitute: resolves down a half step to A7\n6 | A7       # extended dominant: each one falls a fifth into the next: natural tensions\n7 | D7       # V7 of V7: the dominant of the dominant: natural tensions\n7 | G7       # V7 of C: natural tensions\n8 | C6       # tonic: the 4th is in the key\n8 | Dm7      # ii of the ii–V to C\n8 | G7       # V7 of C: natural tensions\n",1793575895168]