[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:memories-of-tomorrow":3},"title: Memories Of Tomorrow\ncomposer: Keith Jarrett\nstyle: Even 8ths\nkey: Am\nform: AB, 24 bars\n# analysis: 2026-10-31, rules v2; A minor\n\nsection: A\n# area: A minor (A 1 – B 4)\n1  | Am       # tonic minor: Dorian by convention\n2  | AmMaj7   # from the symbol: minor-major 7th\n3  | Am7      # tonic minor: Dorian by convention\n4  | Em7      # v of a minor key: Phrygian, the key's own notes (its ♭2 is a passing note)\n5  | F        # a non-tonic major chord: Lydian\n6  | C        # bIII of A minor: the relative major itself\n7  | G9sus    # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n8  | C        # bIII of A minor: the relative major itself\n\nsection: B\n1  | D\u002FF#     # a non-tonic major chord: Lydian\n2  | F        # a non-tonic major chord: Lydian\n3  | C        # bIII of A minor: the relative major itself\n4  | EbMaj7   # a non-tonic major chord: Lydian\n# area: Ab major (B 4–9)\n4  | A7       # tritone substitute: resolves down a half step to AbMaj7\n5  | AbMaj7   # tonic: the 4th is in the key\n5  | Gm       # a borrowed minor chord: Dorian, its own key\n6  | Fm7      # ii of Bb9sus: Dorian\n7  | Bb9sus   # static sus: Mixolydian\n8  | C        # a non-tonic major chord: Lydian\n9  | E7sus    # ♭VI7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n# area: A minor (B 9–16)\n9  | E7       # V7 of A minor: b9 and b13 are in the key\n10 | Am       # tonic minor: Dorian by convention\n10 | Fm\u002FAb    # a borrowed minor chord: Dorian, its own key\n11 | CMaj7\u002FG  # bIII of A minor: the relative major itself\n11 | D\u002FF#     # a non-tonic major chord: Lydian\n12 | FMaj7    # a non-tonic major chord: Lydian\n12 | Fm       # a borrowed minor chord: Dorian, its own key\nalt 12 | FMaj7    # a non-tonic major chord: Lydian\nalt 12 | Fsus     # static sus: Mixolydian\n13 | C\u002FG      # bIII of A minor: the relative major itself\n14 | G9sus    # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n15 | C        # bIII of A minor: the relative major itself\n16 | E7sus    # V7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n16 | E7       # V7 of A minor: b9 and b13 are in the key\n",1793575895158]