[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:me-deixa-em-paz":3},"title: Me Deixa em Paz\ncomposer: Ivan Lins\nstyle: Samba\nkey: D\nform: A, 24 bars\nrecording: Ivan Lins; Deixa o Trem Seguir; Forma; 1971\nyoutube: oF8iVawoLlE\n# analysis: 2026-10-28, rules v2; D\n# recording: Forma VDL-119, track B1; the composer's own first recording (rule 1); sources: MusicBrainz; video: Universal Music Group \"Provided to YouTube\" upload, album Deixa o Trem Seguir, 2:50\n\nsection: Intro1\n# area: A major (Intro1 1)\n1  | Am7      # a borrowed minor chord: Dorian, its own key\n# area: A minor (Intro1 1–3)\n1  | E7       # V7 of A minor: b9 and b13 are in the key\n2  | Am7      # tonic minor: Dorian by convention\n2  | E7       # extended dominant: V7 of A9\n3  | A9       # I7 in A minor, not resolving: the b13 is in the key\n# area: D major (Intro1 4–5)\n4  | A13      # V7 of D: natural tensions\n5  | DMaj9    # tonic: the 4th is in the key\n5  | D69      # tonic: the 4th is in the key\n# area: A minor (Intro1 6 – Intro2 3)\n6  | B13      # V7 of V7: the dominant of the dominant, on the way to A minor: the b9…; the repeat at Intro2 bar 6 would be B Mixolydian\n7  | E9       # V7 of A minor, the chain's last link: the b13 is in the key, the 9 fr…; the repeat at Intro2 bar 7 would be E Mixolydian\n8  | E9       # V7 of A minor, the chain's last link: the b13 is in the key, the 9 fr…; the repeat at Intro2 bar 8 would be E Mixolydian\n\nsection: Intro2\ncopy: Intro1\n\nsection: A\n1  | AMaj7    # tonic: the 4th is in the key\n2  | AMaj7\n# area: D major (A 3–20)\n3  | A9       # V7 of D: natural tensions\n4  | A9\n5  | DMaj9    # tonic: the 4th is in the key\n6  | D69      # tonic: the 4th is in the key\n7  | G#m7     # ii of the ii–V to F# minor\n8  | C#7b9b5  # V7\u002Fiii in D: the b9 is in the key, #11 and 13 from the symbol\n9  | F#m7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n10 | B13      # V7\u002Fii in D: the 13 from the symbol\n11 | Em7      # ii of the ii–V to D\n12 | A13      # V7 of D: natural tensions\n13 | DMaj9    # tonic: the 4th is in the key\n14 | G#m7     # ii of the ii–V to F# minor\n14 | C#7b9b5  # V7\u002Fiii in D: the b9 is in the key, #11 and 13 from the symbol\n15 | F#m7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n15 | B7       # V7\u002Fii in D: the b13 is in the key\n16 | Em7      # ii of the ii–V to D\n16 | A7       # V7 of D: natural tensions\n17 | DMaj7    # tonic: the 4th is in the key\n18 | Bm9      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n19 | G#m7b5   # iiø7 of F# minor: Locrian, the key's own notes (its ♭2 is a passing note)\n20 | C#7b9    # V7\u002Fiii in D: b9 and b13 are in the key\n# area: A major (A 21–24)\n21 | F#m7     # ii of B13: Dorian\n22 | B13      # V7 of V7: the dominant of the dominant: natural tensions\n23 | E9       # V7 of A: natural tensions\n24 | E9\n",1793484801251]