[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:me-deixa-em-paz-nascimento":3},"title: Me Deixa em Paz (Monsueto)\ncomposer: Monsueto, Ayrton Amorim\nstyle: Samba\nkey: Em\nform: ABBA, 52 bars\nrecording: Milton Nascimento & Lô Borges; Clube da Esquina; EMI-Odeon; 1972\nyoutube: fhdE10B9pjc\n# analysis: 2026-10-28, rules v2; E minor\n# recording: sung by Alaíde Costa and Milton Nascimento as a slow ballad; the version this chart follows (rule 2; the samba was first recorded by Linda Batista, Victor, 1951-52); sources: MusicBrainz, DAHR, Estado de Minas; video: Universal Music Group \"Provided to YouTube\" upload, album Clube da Esquina, 3:06\n\nsection: Intro1\n# area: E minor (Intro1 1 – A1 18)\n1  | G+\u002FE   # from the symbol: augmented\n2  | G+\u002FE\n3  | G+\u002FE\n4  | G+\u002FE\n\nsection: Intro2\ncopy: Intro1\n\nsection: A1\n1  | Em7    # tonic minor: Dorian by convention\n2  | Em7\n3  | Em7\n4  | Em7\n5  | Em7\n6  | Em7\n7  | Em7\n8  | Em7\n9  | Em7\n10 | Am7    # iv: Dorian, the key’s own notes\n11 | G#m7   # a borrowed minor chord: Dorian, its own key\n12 | G7     # tritone substitute: resolves down a half step to F#m7\n13 | F#m7   # ii of the ii–V to E minor\n14 | B7     # V7 of E minor: b9 and b13 are in the key\n15 | Em7    # tonic minor: Dorian by convention\n16 | Em7\n17 | Em7\n18 | Em7\n\nsection: B\n# area: G major (B 1 – A2 14)\n1  | Am7    # ii of the ii–V to G\n2  | Am7\n3  | D7     # V7 of G: natural tensions\n4  | D7\n5  | GMaj7  # tonic: the 4th is in the key\n6  | GMaj7\n7  | GMaj7\n8  | Em7    # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n9  | G#m7   # ii of the ii–V to F# minor\n10 | C#7    # V7\u002Fvii in G: b9 and b13 are in the key\n11 | F#m7   # ii of the ii–V to E minor\n12 | B7     # V7\u002Fvi in G: b9 and b13 are in the key\n13 | Em7    # ii of A7: Dorian\n14 | Em7\n15 | A7     # V7 of V7: the dominant of the dominant: natural tensions\n16 | D7     # V7 in G, not resolving: natural tensions\n@ending 1 5 8\n@ending 2 9 16\n\nsection: A2\n1  | Am7    # ii: Dorian, the key’s own notes\n2  | Am7\n3  | Am7\n4  | Am7\n5  | Am7\n6  | Am7\n7  | Am7\n8  | Dm7    # a borrowed minor chord: Dorian, its own key\n9  | C#m7   # ii of the ii–V to B minor\n10 | F#7    # V7\u002Fiii in G: b9 and b13 are in the key\n11 | Bm7    # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n12 | E7     # V7\u002Fii in G: the b13 is in the key\n13 | Am7    # ii: Dorian, the key’s own notes\n14 | Am7\n",1793484801261]