[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:may-reh":3},"title: May-Reh\ncomposer: Horace Silver\nstyle: Medium Swing\nkey: F\nform: AA, 34 bars\n# analysis: 2026-10-31, rules v2; F\n\nsection: A\n1  | F     # tonic: the 4th is in the key\n1  | D7b9  # V7\u002Fii in F: the b13 is in the key, the b9 from the symbol\n2  | Gm7   # ii of the ii–V to F\n2  | C7    # V7 of F: natural tensions\n3  | F     # tonic: the 4th is in the key\n3  | D7b9  # V7\u002Fii in F: the b13 is in the key, the b9 from the symbol\n4  | Gm7   # ii of the ii–V to F\n4  | C7    # V7 of F: natural tensions\n5  | F     # tonic: the 4th is in the key\n5  | D7b9  # V7\u002Fii in F: the b13 is in the key, the b9 from the symbol\n6  | Gm7   # ii of C7: Dorian\n6  | C7    # V7\u002FI in F: natural tensions\n7  | Am7   # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n8  | D7    # extended ii–V: a side-step, its own key\n9  | Bm7   # ii of the ii–V to A minor\n9  | E7    # V7\u002Fiii in F: b9 and b13 are in the key\n10 | Am7   # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n10 | D7    # V7\u002Fii in F: the b13 is in the key\n11 | Gm7   # ii of the ii–V to F\n11 | C7    # V7 of F: natural tensions\n12 | F     # tonic: the 4th is in the key\n13 | Em7   # ii of the ii–V to D minor\n13 | A7    # V7\u002Fvi in F: b9 and b13 are in the key\n14 | Dm7   # ii of G7: Dorian\n15 | G7    # V7 of V7: the dominant of the dominant: natural tensions\n16 | C7    # V7 of F: natural tensions\n17 | F     # tonic: the 4th is in the key\n18 | G7b5  # V7 of V7: the dominant of the dominant: the #11 from the symbol\n19 | C7b5  # V7 of F: the #11 from the symbol\n20 | F     # tonic: the 4th is in the key\n21 | Gm7   # ii of the ii–V to F\n21 | C7    # V7 of F: natural tensions\n22 | F     # tonic: the 4th is in the key\n23 | F\n@ending 1 12 16\n@ending 2 17 23\n",1793575895025]