[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:mas-que-nada":3},"title: Mas Que Nada\ncomposer: Jorge Ben Jor\nstyle: Samba\nkey: Fm\nform: ABCD, 40 bars\nrecording: Jorge Ben; Samba Esquema Novo; Philips; 1963\nyoutube: hg0XftC43Zo\n# analysis: 2026-10-28, rules v2; F minor\n# recording: track A1 of his debut LP; the composer's own first recording (rule 1); sources: MusicBrainz, Wikipedia; video: Universal Music Group \"Provided to YouTube\" upload, album Samba Esquema Novo, 3:00\n\nsection: A\n# area: F minor (A 1 – B 8)\n1  | Fm7     # ii of Bb7: Dorian\n1  | Bb7     # V7\u002FbVII in F minor: natural tensions\n2  | Fm7     # ii of Bb7: Dorian\n2  | Bb7     # V7\u002FbVII in F minor: natural tensions\n3  | Bbm7    # ii of Eb7: Dorian\n4  | Eb7     # V7\u002FbIII in F minor: natural tensions\n5  | Fm7     # tonic minor: Dorian by convention\n6  | C7sus   # V7sus4 of Fm7: the b13 is in the key\n7  | Fm7     # ii of Bb7: Dorian\n7  | Bb7     # V7\u002FbVII in F minor: natural tensions\n8  | Fm7     # ii of Bb7: Dorian\n8  | Bb7     # V7\u002FbVII in F minor: natural tensions\n9  | Fm7     # ii of Bb7: Dorian\n9  | Bb7     # V7\u002FbVII in F minor: natural tensions\n10 | Fm7     # tonic minor: Dorian by convention\n10 | Cm      # v of a minor key: Phrygian, the key's own notes (its ♭2 is a passing note)\n10 | Bm      # a borrowed minor chord: Dorian, its own key\n11 | Bbm7    # ii of Eb7: Dorian\n12 | Eb7     # V7\u002FbIII in F minor: natural tensions\n13 | Fm7     # tonic minor: Dorian by convention\n14 | C7sus   # V7sus4 of Fm7: the b13 is in the key\n15 | Fm7     # tonic minor: Dorian by convention\n16 | C7#9    # V7 of F minor: the b13 is in the key, b9, #9 and #11 from the symbol\n\nsection: B\n1  | Fm7     # tonic minor: Dorian by convention\n2  | C7#9    # V7 of F minor: the b13 is in the key, b9, #9 and #11 from the symbol\n3  | Fm7     # tonic minor: Dorian by convention\n4  | C7#9    # V7 of F minor: the b13 is in the key, b9, #9 and #11 from the symbol\n5  | Fm7     # tonic minor: Dorian by convention\n6  | C7#5    # V7 of F minor: b9 and b13 are in the key, the #11 from the symbol\n7  | Fm7     # ii of Bb7: Dorian\n7  | Bb7     # V7\u002FbVII in F minor: natural tensions\n8  | Fm7     # ii of Bb7: Dorian\n8  | Bb7     # V7\u002FbVII in F minor: natural tensions\n\nsection: C\n# area: Ab major (C 1–6)\n1  | Bbm7    # ii of the ii–V to Ab\n2  | Eb7     # V7 of Ab: natural tensions\n3  | Ab6     # tonic: the 4th is in the key\n4  | Ab6\n5  | Bb7\u002FD   # V7 of V7: the dominant of the dominant: natural tensions\n6  | Eb7\u002FDb  # V7 in Ab, not resolving: natural tensions\n# area: F minor (C 6 – D 8)\n6  | C7#9    # V7 of F minor: the b13 is in the key, b9, #9 and #11 from the symbol\n7  | Fm7     # tonic minor: Dorian by convention\n8  | C7#9    # V7 of F minor: the b13 is in the key, b9, #9 and #11 from the symbol\n\nsection: D\n1  | Fm7     # tonic minor: Dorian by convention\n2  | C7#9    # V7 of F minor: the b13 is in the key, b9, #9 and #11 from the symbol\n3  | Fm7     # tonic minor: Dorian by convention\n4  | C7#9    # V7 of F minor: the b13 is in the key, b9, #9 and #11 from the symbol\n5  | Fm7     # tonic minor: Dorian by convention\n6  | C7#5    # V7 of F minor: b9 and b13 are in the key, the #11 from the symbol\n7  | Fm7     # ii of Bb7: Dorian\n7  | Bb7     # V7\u002FbVII in F minor: natural tensions\n8  | Fm7     # ii of Bb7: Dorian\n8  | Bb7     # V7\u002FbVII in F minor: natural tensions\n",1793484801245]