[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:maria-maria":3},"title: Maria Maria\ncomposer: Milton Nascimento\nstyle: Brazilian\nkey: Ab\nform: AABB, 45 bars\nrecording: Milton Nascimento; Clube da Esquina 2; EMI-Odeon; 1978\n# analysis: 2026-10-28, rules v2; Ab\n# recording: EMI-Odeon 31C 164 422831\u002F2, side 4 track B2; the composer's own first released recording (rule 1; the 1976 Grupo Corpo ballet score Maria Maria was not issued until 2002); sources: MusicBrainz; no official upload of the album track found\n\nsection: A1\n1  | Ab      # tonic: the 4th is in the key\n2  | Eb\u002FAb   # V without its 7th: Mixolydian, the key’s own notes\n2  | B\u002FAb    # ♭III, borrowed from Ab minor: Lydian (its ♯11 is in the key)\n3  | Db\u002FAb   # IV: the #4 is the key’s 7th\n3  | A\u002FAb    # ♭II, borrowed from Ab Phrygian: Lydian (its ♯11 is in the key)\n4  | Ab      # tonic: the 4th is in the key\n4  | Eb\u002FG    # V without its 7th: Mixolydian, the key’s own notes\n5  | Fm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n6  | DbMaj7  # IV: the #4 is the key’s 7th\n7  | Gb6     # ♭VII6, borrowed from Ab minor: Lydian (its ♯11 is in the key)\n7  | Db\u002FF    # IV: the #4 is the key’s 7th\n8  | EMaj7   # ♭VImaj7, borrowed from Ab minor: Lydian (its ♯11 is in the key)\n8  | Ab      # tonic: the 4th is in the key\n9  | Ab\n10 | Eb\u002FAb   # V without its 7th: Mixolydian, the key’s own notes\n10 | B\u002FAb    # ♭III, borrowed from Ab minor: Lydian (its ♯11 is in the key)\n11 | Db\u002FAb   # IV: the #4 is the key’s 7th\n11 | A\u002FAb    # ♭II, borrowed from Ab Phrygian: Lydian (its ♯11 is in the key)\n12 | Ab      # tonic: the 4th is in the key\n@coda 8\n\nsection: A2\ncopy: A1\n\nsection: B\n1  | Abm7    # a borrowed minor chord: Dorian, its own key\n2  | Abm7\n3  | Ab7sus  # static sus: Mixolydian\n4  | A\u002FAb    # ♭II, borrowed from Ab Phrygian: Lydian (its ♯11 is in the key)\n5  | E\u002FAb    # ♭VI, borrowed from Ab minor: Lydian (its ♯11 is in the key)\n6  | Abm7    # a borrowed minor chord: Dorian, its own key\n7  | Abm7\n8  | Bbm7    # ii: Dorian, the key’s own notes\n9  | Bbm7\n10 | Bbm7\n11 | Bbm7\n12 | Bb7sus  # static sus: Mixolydian\n13 | B\u002FBb    # ♭III, borrowed from Ab minor: Lydian (its ♯11 is in the key)\n14 | F#\u002FBb   # ♭VII, borrowed from Ab minor: Lydian (its ♯11 is in the key)\n15 | Bbm7    # ii: Dorian, the key’s own notes\n16 | Bbm7\n@ending 1 6 7\n@ending 2 8 16\n\nsection: Coda1\n1  | Ab      # tonic: the 4th is in the key\n2  | Eb\u002FAb   # V without its 7th: Mixolydian, the key’s own notes\n2  | B\u002FAb    # ♭III, borrowed from Ab minor: Lydian (its ♯11 is in the key)\n3  | Db\u002FAb   # IV: the #4 is the key’s 7th\n3  | A\u002FAb    # ♭II, borrowed from Ab Phrygian: Lydian (its ♯11 is in the key)\n4  | Ab      # tonic: the 4th is in the key\n4  | Eb\u002FG    # V without its 7th: Mixolydian, the key’s own notes\n5  | Fm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n6  | DbMaj7  # IV: the #4 is the key’s 7th\n7  | Gb6     # ♭VII6, borrowed from Ab minor: Lydian (its ♯11 is in the key)\n7  | Db\u002FF    # IV: the #4 is the key’s 7th\n8  | EMaj7   # ♭VImaj7, borrowed from Ab minor: Lydian (its ♯11 is in the key)\n8  | Ab      # tonic: the 4th is in the key\n@coda 1\n\nsection: Coda2\ncopy: Coda1\n",1793484801237]