[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:manhattan":3},"title: Manhattan\ncomposer: Richard Rodgers\nstyle: Medium Swing\nkey: F\nform: ABAC, 32 bars\n# analysis: 2026-10-31, rules v2; F\n\nsection: A1\n1 | FMaj7   # tonic: the 4th is in the key\n1 | D7      # V7\u002Fii in F: the b13 is in the key\n2 | Gm7     # ii of the ii–V to F\n2 | C7      # V7 of F: natural tensions\n3 | FMaj7   # tonic: the 4th is in the key\n3 | Bb7     # tritone substitute: resolves down a half step to Am7\n4 | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4 | Abdim7  # passing diminished: G7♭9 without its G, the C7's dominant (Gm7 its ii)\n5 | Gm7     # ii of C7: Dorian\n6 | C7      # V7\u002FI in F: natural tensions\n6 | Bb7#11  # tritone substitute: resolves down a half step to Am7\n7 | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n7 | D7      # V7\u002Fii in F: the b13 is in the key\n8 | Gm7     # ii of the ii–V to F\n8 | C7      # V7 of F: natural tensions\n\nsection: B\n1 | FMaj7   # tonic: the 4th is in the key\n1 | D7      # V7\u002Fii in F: the b13 is in the key\n2 | Gm7     # ii of the ii–V to F\n2 | C7      # V7 of F: natural tensions\n3 | FMaj7   # tonic: the 4th is in the key\n4 | Dm7     # ii of G7: Dorian\n5 | G7      # V7\u002FV in F: natural tensions\n6 | G7\n7 | Gm7     # ii of C7: Dorian\n7 | C7      # V7\u002FI in F: natural tensions\n8 | Gm7     # ii of the ii–V to F\n8 | C7      # V7 of F: natural tensions\n\nsection: A2\n1 | FMaj7   # tonic: the 4th is in the key\n1 | D7      # V7\u002Fii in F: the b13 is in the key\n2 | Gm7     # ii of the ii–V to F\n2 | C7      # V7 of F: natural tensions\n3 | FMaj7   # tonic: the 4th is in the key\n3 | Bb7     # tritone substitute: resolves down a half step to Am7\n4 | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4 | Abdim7  # passing diminished: G7♭9 without its G, the C7's dominant (Gm7 its ii)\n5 | Gm7     # ii of C7: Dorian\n6 | C7      # V7\u002FI in F: natural tensions\n6 | Bb7#11  # IV7 in F, not resolving: the #11 is in the key\n7 | Am7b5   # iiø7 of G minor: Locrian, the key's own notes (its ♭2 is a passing note)\n8 | D7b9    # V7\u002Fii in F: the b13 is in the key, the b9 from the symbol\n\nsection: C\n1 | Gm7     # ii: Dorian, the key’s own notes\n2 | Bbm7    # ii of Eb7: Dorian\n2 | Eb7     # back door bVII7 to FMaj7: the #11 is in the key\n3 | FMaj7   # tonic: the 4th is in the key\n3 | Dm7     # ii of G7: Dorian\n4 | G7      # V7\u002FV in F: natural tensions\n4 | G#dim7  # vii°7 of Am7: E7♭9 without its root\n5 | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n5 | D7      # V7\u002Fii in F: the b13 is in the key\n6 | Gm7     # ii of the ii–V to F\n6 | C7      # V7 of F: natural tensions\n7 | F6      # tonic: the 4th is in the key\n8 | F6\n",1793575894883]