[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:manha-de-carnaval":3},"title: Manhã de Carnaval\ncomposer: Luiz Bonfá\nstyle: Bossa Nova\nkey: Am\nform: AB, 32 bars\naka: Black Orpheus\nrecording: Luiz Bonfá & Antonio Carlos Jobim; Orfeu Negro (Black Orpheus soundtrack); Philips; 1959\nyoutube: AxaRdlmrzr0\n# analysis: 2026-10-28, rules v2; A minor\n# recording: the film soundtrack, Bonfá on guitar, sung by Agostinho dos Santos; the composer's own first recording (rule 1); US issue Epic LN 3672; sources: MusicBrainz, Wikipedia; video: Universal Music Group \"Provided to YouTube\" upload, album Orfeu Negro, 'Manha de Carnaval (Thème-Orfeu-Scène du lever du soleil)', 3:53\n\nsection: A\n# area: A minor (A 1–5)\n1  | Am     # tonic minor: Dorian by convention\n2  | Bm7b5  # iiø7 of A minor: Locrian, the key's own notes (its ♭2 is a passing note)\n2  | E7b9   # V7 of A minor: b9 and b13 are in the key\n3  | Am     # tonic minor: Dorian by convention\n4  | Bm7b5  # iiø7 of A minor: Locrian, the key's own notes (its ♭2 is a passing note)\n4  | E7b9   # V7 of A minor: b9 and b13 are in the key\n5  | Am     # tonic minor: Dorian by convention\n# area: C major (A 6–12)\n6  | Dm7    # ii of the ii–V to C\n6  | G7     # V7 of C: natural tensions\n7  | CMaj7  # tonic: the 4th is in the key\n8  | A7b9   # V7\u002Fii in C: the b13 is in the key, the b9 from the symbol\n9  | Dm7    # ii of the ii–V to C\n10 | G7     # V7 of C: natural tensions\n11 | CMaj7  # tonic: the 4th is in the key\n12 | FMaj7  # IV: the #4 is the key’s 7th\n# area: A minor (A 13 – Coda 5)\n13 | Bm7b5  # iiø7 of A minor: Locrian, the key's own notes (its ♭2 is a passing note)\n14 | E7b9   # V7 of A minor: b9 and b13 are in the key\n15 | Am     # tonic minor: Dorian by convention\n16 | Bm7b5  # iiø7 of A minor: Locrian, the key's own notes (its ♭2 is a passing note)\n16 | E7b9   # V7 of A minor: b9 and b13 are in the key\n\nsection: B\n1  | Am     # tonic minor: Dorian by convention\n2  | Bm7b5  # iiø7 of A minor: Locrian, the key's own notes (its ♭2 is a passing note)\n2  | E7b9   # V7 of A minor: b9 and b13 are in the key\n3  | Am     # tonic minor: Dorian by convention\n4  | Am\n5  | Em7b5  # iiø7 of D minor: Locrian, the key's own notes (its ♭2 is a passing note)\n6  | A7b9   # V7\u002Fiv in A minor: the b13 is in the key, the b9 from the symbol\n7  | Dm     # iv: Dorian, the key’s own notes\n8  | Dm\n9  | Dm7    # iv: Dorian, the key’s own notes\n9  | Dm7\u002FC  # iv: Dorian, the key’s own notes\n10 | Bm7b5  # iiø7 of A minor: Locrian, the key's own notes (its ♭2 is a passing note)\n10 | E7b9   # V7 of A minor: b9 and b13 are in the key\n11 | Am     # tonic minor: Dorian by convention\n11 | Am7\u002FG  # tonic minor: Dorian by convention\n12 | FMaj7  # a non-tonic major chord: Lydian\n13 | Bm7b5  # iiø7 of A minor: Locrian, the key's own notes (its ♭2 is a passing note)\n14 | E7b9   # V7 of A minor: b9 and b13 are in the key\n15 | Am     # tonic minor: Dorian by convention\n16 | Bm7b5  # iiø7 of A minor: Locrian, the key's own notes (its ♭2 is a passing note)\n16 | E7b9   # V7 of A minor: b9 and b13 are in the key\n@coda 15\n\nsection: Coda\n1  | Am     # tonic minor: Dorian by convention\n2  | Dm7    # iv: Dorian, the key’s own notes\n2  | Am7    # tonic minor: Dorian by convention\n3  | Dm7    # iv: Dorian, the key’s own notes\n3  | Am7    # tonic minor: Dorian by convention\n4  | Dm7    # iv: Dorian, the key’s own notes\n4  | Em7    # v of a minor key: Phrygian, the key's own notes (its ♭2 is a passing note)\n5  | Am     # tonic minor: Dorian by convention\n@coda 1\n",1793484801182]