[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:making-whoopee":3},"title: Making Whoopee\ncomposer: Walter Donaldson\nstyle: Medium Swing\nkey: G\nform: AABA, 32 bars\n# analysis: 2026-10-31, rules v2; G\n\nsection: A1\n1  | GMaj7   # tonic: the 4th is in the key\n1  | G#dim7  # vii°7 of Am7: E7♭9 without its root\n2  | Am7     # ii of D7: Dorian\n2  | D7      # V7\u002FI in G: natural tensions\n3  | Dm7     # ii of the ii–V to C\n3  | G7      # V7\u002FIV in G: natural tensions\n4  | CMaj7   # the G7 before it makes C the key of the moment: the 4th is in the key\n4  | F7      # back door bVII7 to GMaj7: the #11 is in the key\n5  | GMaj7   # tonic: the 4th is in the key\n5  | Em7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n6  | Eb7     # tritone substitute: resolves down a half step to D7\n6  | D7      # V7 of G: natural tensions\n7  | G6      # tonic: the 4th is in the key\n7  | Em7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n8  | Am7     # ii of the ii–V to G\n8  | D7      # V7 of G: natural tensions\n9  | G6      # tonic: the 4th is in the key\n10 | C7      # IV7 in G, not resolving: the #11 is in the key\n@ending 1 7 8\n@ending 2 9 10\n\nsection: B\n1  | Bm7b5   # iiø7 of A minor: Locrian, the key's own notes (its ♭2 is a passing note)\n1  | E7b9    # V7\u002Fii in G: the b13 is in the key, the b9 from the symbol\n2  | Am7     # ii: Dorian, the key’s own notes\n3  | Cm7     # ii of F7: Dorian\n3  | F7      # back door bVII7 to GMaj7: the #11 is in the key\n4  | GMaj7   # tonic: the 4th is in the key\n5  | Bm7b5   # iiø7 of A minor: Locrian, the key's own notes (its ♭2 is a passing note)\n5  | E7b9    # V7\u002Fii in G: the b13 is in the key, the b9 from the symbol\n6  | Am7     # ii: Dorian, the key’s own notes\n7  | Cm7     # ii of F7: Dorian\n7  | F7      # extended ii–V: a side-step, its own key\n8  | Bm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n8  | E7      # V7\u002Fii in G: the b13 is in the key\n8  | Am7     # ii of the ii–V to G\n8  | D7      # V7 of G: natural tensions\n\nsection: A2\n1  | GMaj7   # tonic: the 4th is in the key\n1  | G#dim7  # vii°7 of Am7: E7♭9 without its root\n2  | Am7     # ii of D7: Dorian\n2  | D7      # V7\u002FI in G: natural tensions\n3  | Dm7     # ii of the ii–V to C\n3  | G7      # V7\u002FIV in G: natural tensions\n4  | CMaj7   # the G7 before it makes C the key of the moment: the 4th is in the key\n4  | F7      # back door bVII7 to GMaj7: the #11 is in the key\n5  | GMaj7   # tonic: the 4th is in the key\n5  | Em7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n6  | Eb7     # tritone substitute: resolves down a half step to D7\n6  | D7      # V7 of G: natural tensions\n7  | G6      # tonic: the 4th is in the key\n7  | Em7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n8  | Am7     # ii of the ii–V to G\n8  | D7      # V7 of G: natural tensions\n",1793575894819]