[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:madalena":3},"title: Madalena\ncomposer: Ivan Lins\nstyle: Afoxé\nkey: D\nform: AB, 32 bars\nrecording: Ivan Lins; Agora; Forma; 1970\n# analysis: 2026-10-28, rules v2; D\n# recording: Forma VDL 117, his debut LP (some sources date it 1971); the composer's own first recording (rule 1); Elis Regina's hit version was recorded 1970 and issued on a compacto in January 1971, then on Ela (Philips, 1971); sources: MusicBrainz, Wikipedia; no official upload of the Agora track found (only compilations)\n\nsection: Intro1\n# area: D major (Intro1 1 – B 6)\n1  | DMaj9   # tonic: the 4th is in the key\n1  | D69     # tonic: the 4th is in the key\n2  | Em9     # ii of the ii–V to D\n2  | A13     # V7 of D: natural tensions\n3  | DMaj9   # tonic: the 4th is in the key\n3  | D69     # tonic: the 4th is in the key\n4  | Em9     # ii of the ii–V to D\n4  | A13     # V7 of D: natural tensions\n\nsection: Intro2\ncopy: Intro1\n\nsection: A\n1  | DMaj9   # tonic: the 4th is in the key\n1  | D69     # tonic: the 4th is in the key\n2  | Em9     # ii of the ii–V to D\n2  | A13     # V7 of D: natural tensions\n3  | DMaj9   # tonic: the 4th is in the key\n3  | D69     # tonic: the 4th is in the key\n4  | Em9     # ii of the ii–V to D\n4  | A13     # V7 of D: natural tensions\n5  | DMaj9   # tonic: the 4th is in the key\n5  | D69     # tonic: the 4th is in the key\n6  | Em9     # ii of A13: Dorian\n6  | A13     # V7\u002FI in D: natural tensions\n7  | Am7     # ii of the ii–V to G\n8  | D7      # V7\u002FIV in D: natural tensions\n9  | GMaj7   # the D7 before it makes G the key of the moment: the 4th is in the key\n9  | G6      # IV: the #4 is the key’s 7th\n10 | Am7     # ii of the ii–V to G\n10 | D13     # V7\u002FIV in D: natural tensions\n11 | GMaj7   # the D13 before it makes G the key of the moment: the 4th is in the key\n11 | G6      # IV: the #4 is the key’s 7th\n12 | Am7     # ii of the ii–V to G\n12 | D13     # V7\u002FIV in D: natural tensions\n13 | GMaj7   # the D13 before it makes G the key of the moment: the 4th is in the key\n14 | GMaj7\n15 | F#m9    # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n16 | B7#9#5  # V7\u002Fii in D: the b13 is in the key, b9, #9 and #11 from the symbol\n@segno 1\n\nsection: B\n1  | Em7     # ii: Dorian, the key’s own notes\n2  | Em7\u002FD   # ii: Dorian, the key’s own notes\n3  | C#m7    # ii of the ii–V to B minor\n4  | F#13b9  # V7\u002Fvi in D: the b9 is in the key, the 13 from the symbol\n5  | Bm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n6  | Bm7\u002FA   # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n# area: F# major (B 7–13)\n7  | G#m7    # ii of the ii–V to F#\n8  | C#13b9  # V7 of F#: the b9 from the symbol\n9  | F#Maj7  # tonic: the 4th is in the key\n10 | G#m7    # ii: Dorian, the key’s own notes\n11 | Bbm7    # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n12 | Bbm7\n13 | A7      # ♭III7 from the parallel minor: Lydian Dominant\n# area: D major (B 14 – Coda2 4)\n14 | E7      # V7 of V7: the dominant of the dominant: natural tensions\n15 | A13     # V7 of D: natural tensions\n16 | A13\n@nav 16 D.S. al Coda\n@coda 16\n\nsection: Coda1\n1  | DMaj9   # tonic: the 4th is in the key\n1  | D69     # tonic: the 4th is in the key\n2  | Em9     # ii of the ii–V to D\n2  | A13     # V7 of D: natural tensions\n3  | DMaj9   # tonic: the 4th is in the key\n3  | D69     # tonic: the 4th is in the key\n4  | Em9     # ii of the ii–V to D\n4  | A13     # V7 of D: natural tensions\n@coda 1\n\nsection: Coda2\ncopy: Coda1\n",1793484801149]