[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:luz":3},"title: Luz\ncomposer: Djavan\nstyle: Slow Bossa Nova\nkey: D\nform: AABCA, 36 bars\nrecording: Djavan; Luz; CBS; 1982\nyoutube: Ri3G9CfHy5Y\n# analysis: 2026-10-28, rules v2; D\n# recording: Discos CBS 138.251, released 1982-08-20; the composer's own first recording (rule 1); sources: MusicBrainz; video: DjavanVEVO official \"Áudio Oficial\" upload, Luz, 4:10\n\nsection: Intro1\n# area: D major (Intro1 1 – B 2)\n1 | DMaj9    # tonic: the 4th is in the key\n1 | C7#9     # extended dominant: V7 of F13; b9, #9 and #11 from the symbol\n2 | F13      # ♭III7 from the parallel minor: Lydian Dominant\n2 | A7#9     # V7 of D: b9, #9 and #11 from the symbol\n3 | DMaj9    # tonic: the 4th is in the key\n3 | C7#9     # extended dominant: V7 of F13; b9, #9 and #11 from the symbol\n4 | F13      # ♭III7 from the parallel minor: Lydian Dominant\n4 | A7#9     # V7 of D: b9, #9 and #11 from the symbol\n\nsection: Intro2\ncopy: Intro1\n\nsection: A1\n1 | D69      # tonic: the 4th is in the key\n1 | G7       # tritone substitute: resolves down a half step to F#m7\n2 | F#m7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n2 | B7b9     # extended dominant: V7 of E9; b9 from the symbol\n3 | E9       # II7 in D, not resolving: natural tensions\n3 | Gm6      # a minor sixth chord: Dorian\n4 | FMaj7\u002FA  # ♭IIImaj7, borrowed from D minor: Lydian (its ♯11 is in the key)\n4 | A9sus    # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n5 | D69      # tonic: the 4th is in the key\n5 | G7       # tritone substitute: resolves down a half step to F#m7\n6 | F#m7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n6 | FMaj7    # ♭IIImaj7, borrowed from D minor: Lydian (its ♯11 is in the key)\n7 | BbMaj7   # ♭VImaj7, borrowed from D minor: Lydian (its ♯11 is in the key)\n7 | EbMaj7   # ♭IImaj7, borrowed from D Phrygian: Lydian (its ♯11 is in the key)\n8 | Gm7      # iv7 from the parallel minor: Dorian, its notes\n8 | A9sus    # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n@segno 1\n\nsection: A2\ncopy: A1\n\nsection: B\n1 | D69      # tonic: the 4th is in the key\n1 | Ab7#11   # tritone substitute: resolves down a half step to GMaj7\n2 | GMaj7    # the Ab7#11 before it makes G the key of the moment: the 4th is in the key\n# area: F major (B 2–3)\n2 | C9       # V7 of F: natural tensions\n3 | FMaj7    # tonic: the 4th is in the key\n3 | Bb9      # IV7 in F, not resolving: the #11 is in the key\n# area: D major (B 4–6)\n4 | Em7      # ii of the ii–V to D\n4 | A9sus    # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n5 | D69      # tonic: the 4th is in the key\n5 | Ab7#11   # tritone substitute: resolves down a half step to GMaj7\n6 | GMaj7    # the Ab7#11 before it makes G the key of the moment: the 4th is in the key\n# area: F major (B 6–8)\n6 | C9       # V7 of F: natural tensions\n7 | FMaj7    # tonic: the 4th is in the key\n7 | Bb9      # IV7 in F, not resolving: the #11 is in the key\n8 | Gm7      # ii: Dorian, the key’s own notes\n# area: D major (B 8 – Coda2 4)\n8 | A9sus    # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n@coda 8\n\nsection: C\n1 | DMaj9    # tonic: the 4th is in the key\n1 | C7#9     # extended dominant: V7 of F13; b9, #9 and #11 from the symbol\n2 | F13      # ♭III7 from the parallel minor: Lydian Dominant\n2 | A7#9     # V7 of D: b9, #9 and #11 from the symbol\n3 | DMaj9    # tonic: the 4th is in the key\n3 | C7#9     # extended dominant: V7 of F13; b9, #9 and #11 from the symbol\n4 | F13      # ♭III7 from the parallel minor: Lydian Dominant\n4 | A7#9     # V7 of D: b9, #9 and #11 from the symbol\n\nsection: A3\n1 | D69      # tonic: the 4th is in the key\n1 | G7       # tritone substitute: resolves down a half step to F#m7\n2 | F#m7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n2 | B7b9     # extended dominant: V7 of E9; b9 from the symbol\n3 | E9       # II7 in D, not resolving: natural tensions\n3 | Gm6      # a minor sixth chord: Dorian\n4 | FMaj7\u002FA  # ♭IIImaj7, borrowed from D minor: Lydian (its ♯11 is in the key)\n4 | A9sus    # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n5 | D69      # tonic: the 4th is in the key\n5 | G7       # tritone substitute: resolves down a half step to F#m7\n6 | F#m7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n6 | FMaj7    # ♭IIImaj7, borrowed from D minor: Lydian (its ♯11 is in the key)\n7 | BbMaj7   # ♭VImaj7, borrowed from D minor: Lydian (its ♯11 is in the key)\n7 | EbMaj7   # ♭IImaj7, borrowed from D Phrygian: Lydian (its ♯11 is in the key)\n8 | Gm7      # iv7 from the parallel minor: Dorian, its notes\n8 | A9sus    # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n@nav 8 D.S. al Coda\n\nsection: Coda1\n1 | DMaj9    # tonic: the 4th is in the key\n1 | C7#9     # extended dominant: V7 of F13; b9, #9 and #11 from the symbol\n2 | F13      # ♭III7 from the parallel minor: Lydian Dominant\n2 | A7#9     # V7 of D: b9, #9 and #11 from the symbol\n3 | DMaj9    # tonic: the 4th is in the key\n3 | C7#9     # extended dominant: V7 of F13; b9, #9 and #11 from the symbol\n4 | F13      # ♭III7 from the parallel minor: Lydian Dominant\n4 | A7#9     # V7 of D: b9, #9 and #11 from the symbol\n@coda 1\n\nsection: Coda2\ncopy: Coda1\n",1793484801072]