[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:lulus-back-in-town":3},"title: Lulu's Back In Town\ncomposer: Harry Warren\nstyle: Medium Up Swing\nkey: Eb\nform: AABA, 32 bars\n# analysis: 2026-10-31, rules v2; Eb\n\nsection: A1\n1 | C7      # extended dominant: each one falls a fifth into the next: natural tensions\n1 | F7      # V7 of V7: the dominant of the dominant: natural tensions\n2 | Bb7     # V7 of Eb: natural tensions\n2 | EbMaj7  # tonic: the 4th is in the key\n3 | C7      # extended dominant: each one falls a fifth into the next: natural tensions\n3 | F7      # V7 of V7: the dominant of the dominant: natural tensions\n4 | Bb7     # extended dominant: V7 of Eb7\n4 | Eb7     # V7\u002FIV in Eb: natural tensions\n5 | AbMaj7  # the Eb7 before it makes Ab the key of the moment: the 4th is in the key\n5 | Adim7   # passing diminished: D7♭9 without its D, the Gm7's dominant; not functioning diatonically: the symmetric scale\n6 | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n6 | C7      # extended dominant: each one falls a fifth into the next: natural tensions\n7 | F7      # V7 of V7: the dominant of the dominant: natural tensions\n7 | Bb7     # V7 of Eb: natural tensions\n8 | Eb6     # tonic: the 4th is in the key\n\nsection: A2\ncopy: A1\n\nsection: B\n1 | AbMaj7  # IV: the #4 is the key’s 7th\n1 | Adim7   # ♯IV°7 to I over its 5th: D7♭9 without its root, the ♯II°7's notes\n2 | Eb6\u002FBb  # tonic: the 4th is in the key\n2 | Eb7     # V7\u002FIV in Eb: natural tensions\n3 | AbMaj7  # the Eb7 before it makes Ab the key of the moment: the 4th is in the key\n3 | Adim7   # ♯IV°7 to I over its 5th: D7♭9 without its root, the ♯II°7's notes\n4 | Eb6\u002FBb  # tonic: the 4th is in the key\n4 | Cm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n5 | Am7b5   # iiø7 of D7b9: Locrian, the key's own notes (its ♭2 is a passing note)\n5 | D7b9    # V7\u002Fiii in Eb: b9 and b13 are in the key\n6 | Gm7b5   # iiø7 of C7: Locrian, the key's own notes (its ♭2 is a passing note)\n6 | C7      # extended dominant: V7 of F7b9\n7 | F7b9    # II7 in Eb, not resolving: the b9 from the symbol\n8 | F7      # V7 of V7: the dominant of the dominant: natural tensions\n8 | Bb7     # V7 in Eb, not resolving: natural tensions\n\nsection: A3\n1 | C7      # extended dominant: each one falls a fifth into the next: natural tensions\n1 | F7      # V7 of V7: the dominant of the dominant: natural tensions\n2 | Bb7     # V7 of Eb: natural tensions\n2 | EbMaj7  # tonic: the 4th is in the key\n3 | C7      # extended dominant: each one falls a fifth into the next: natural tensions\n3 | F7      # V7 of V7: the dominant of the dominant: natural tensions\n4 | Bb7     # extended dominant: V7 of Eb7\n4 | Eb7     # V7\u002FIV in Eb: natural tensions\n5 | AbMaj7  # the Eb7 before it makes Ab the key of the moment: the 4th is in the key\n5 | Adim7   # passing diminished: D7♭9 without its D, the Gm7's dominant; not functioning diatonically: the symmetric scale\n6 | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n6 | C7      # extended dominant: each one falls a fifth into the next: natural tensions\n7 | F7      # V7 of V7: the dominant of the dominant: natural tensions\n7 | Bb7     # V7 of Eb: natural tensions\n8 | Eb6     # tonic: the 4th is in the key\n",1793575894656]