[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:lua-soberana":3},"title: Lua Soberana\ncomposer: Ivan Lins\nstyle: Afoxé\nkey: D\nform: AABC, 46 bars\nrecording: Sérgio Mendes; Brasileiro; Elektra; 1992\nyoutube: qtAXFj1uyuo\n# analysis: 2026-10-28, rules v2; D\n# recording: Elektra 9 61315-2, released 1992-05-12; the first release (rule 2), later the theme of the telenovela Renascer (1993); Ivan Lins's own recordings are live, from 1996; sources: MusicBrainz, Billboard Brasil; video: The Sergio Mendes Band official visualizer, album Brasileiro, 4:14\n\nsection: Intro1\n# area: D major (Intro1 1 – B 14)\n1  | D           # tonic: the 4th is in the key\n1  | A\u002FD         # V without its 7th: Mixolydian, the key’s own notes\n2  | Bb\u002FD        # ♭VI, borrowed from D minor: Lydian (its ♯11 is in the key)\n2  | G\u002FD         # IV: the #4 is the key’s 7th\n2  | A7\u002FD        # V7 of D: natural tensions\n3  | D           # tonic: the 4th is in the key\n3  | A\u002FD         # V without its 7th: Mixolydian, the key’s own notes\n4  | C\u002FD         # ♭VII, borrowed from D minor: Lydian (its ♯11 is in the key)\n4  | G\u002FD         # IV: the #4 is the key’s 7th\n4  | A7\u002FD        # V7 of D: natural tensions\n\nsection: Intro2\ncopy: Intro1\n\nsection: A1\n1  | D           # tonic: the 4th is in the key\n1  | A\u002FD         # V without its 7th: Mixolydian, the key’s own notes\n2  | Bb\u002FD        # ♭VI, borrowed from D minor: Lydian (its ♯11 is in the key)\n2  | G\u002FD         # IV: the #4 is the key’s 7th\n2  | A7\u002FD        # V7 of D: natural tensions\n3  | D           # tonic: the 4th is in the key\n3  | A\u002FD         # V without its 7th: Mixolydian, the key’s own notes\n4  | C\u002FD         # ♭VII, borrowed from D minor: Lydian (its ♯11 is in the key)\n4  | G\u002FD         # IV: the #4 is the key’s 7th\n4  | A7\u002FD        # V7 of D: natural tensions\n5  | D           # tonic: the 4th is in the key\n5  | A\u002FD         # V without its 7th: Mixolydian, the key’s own notes\n6  | Bb\u002FD        # ♭VI, borrowed from D minor: Lydian (its ♯11 is in the key)\n6  | G\u002FD         # IV: the #4 is the key’s 7th\n6  | A7\u002FD        # V7 of D: natural tensions\n7  | D           # tonic: the 4th is in the key\n7  | A\u002FD         # V without its 7th: Mixolydian, the key’s own notes\n8  | C\u002FD         # ♭VII, borrowed from D minor: Lydian (its ♯11 is in the key)\n8  | G\u002FD         # IV: the #4 is the key’s 7th\n8  | A7\u002FD        # V7 of D: natural tensions\n@segno 1\n\nsection: A2\ncopy: A1\n\nsection: B\n1  | BMaj7       # a non-tonic major chord: Lydian\n1  | F#add9\u002FA#   # a non-tonic major chord: Lydian\n2  | G#m9        # a borrowed minor chord: Dorian, its own key\n2  | F#m7        # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n2  | B7          # extended ii–V: a side-step, its own key\n3  | GMaj7       # IV: the #4 is the key’s 7th\n3  | E7\u002FG#       # II7 in D, not resolving: natural tensions\n4  | DMaj7\u002FA     # tonic: the 4th is in the key\n4  | Bm9         # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n5  | D\u002FC         # tonic: the 4th is in the key\n6  | C           # ♭VII, borrowed from D minor: Lydian (its ♯11 is in the key)\n7  | D\u002FC         # tonic: the 4th is in the key\n8  | C           # ♭VII, borrowed from D minor: Lydian (its ♯11 is in the key)\n9  | E           # a non-tonic major chord: Lydian\n9  | B6\u002FD#       # a non-tonic major chord: Lydian\n9  | AMaj7\u002FC#    # a non-tonic major chord: Lydian\n10 | E           # a non-tonic major chord: Lydian\n10 | B6\u002FD#       # a non-tonic major chord: Lydian\n10 | AMaj7\u002FC#    # a non-tonic major chord: Lydian\n11 | A9          # static dominant: its own mode\n12 | A9\n13 | A9\n14 | A9\n@nav 13 D.S. al Coda\n@coda 14\n\nsection: C\n# area: E major (C 1–16)\n1  | B9          # V7 of E: natural tensions\n2  | B9\n3  | B9\n4  | B9\n5  | E           # tonic: the 4th is in the key\n6  | E\n7  | E\n8  | E\n9  | E\n9  | B6\u002FD#       # a non-tonic major chord: Lydian\n10 | D9          # ♭VII7 from the parallel minor: Lydian Dominant\n10 | CMaj7#11    # from the symbol: #11\n11 | E\u002FB         # tonic: the 4th is in the key\n11 | C#m7        # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n12 | F#m7        # ii of B7: Dorian\n12 | B7          # V7\u002FI in E: natural tensions\n12 | C7          # ♭VI7 from the parallel minor: Lydian Dominant\n13 | C#m7        # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n13 | G#m7        # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n14 | Am7         # iv7 from the parallel minor: Dorian, its notes\n14 | CMaj7#11\u002FB  # from the symbol: #11\n14 | CMaj7       # ♭VImaj7, borrowed from E minor: Lydian (its ♯11 is in the key)\n14 | D9          # back door bVII7 to E: the #11 is in the key\n15 | E           # tonic: the 4th is in the key\n15 | B\u002FE         # V without its 7th: Mixolydian, the key’s own notes\n16 | D\u002FE         # ♭VII, borrowed from E minor: Lydian (its ♯11 is in the key)\n16 | A\u002FE         # IV: the #4 is the key’s 7th\n@coda 1\n",1793484801049]