[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:lover":3},"title: Lover\ncomposer: Richard Rodgers\nstyle: Up Tempo Swing\nkey: Eb\nform: AAB, 48 bars\n# analysis: 2026-10-31, rules v2; Eb\n\nsection: A\n# area: Eb major (A 1–19)\n1  | EbMaj7  # tonic: the 4th is in the key\n2  | EbMaj7\n3  | Am7     # ii of D7: Dorian\n4  | D7      # extended ii–V: a side-step, its own key\n5  | Abm7    # ii of Db7: Dorian\n6  | Db7     # extended ii–V: a side-step, its own key\n7  | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n8  | C7      # extended ii–V: a side-step, its own key\n9  | F#m7    # ii of B7: Dorian\n10 | B7      # extended ii–V: a side-step, its own key\n11 | Fm7     # ii of Bb7: Dorian\n12 | Bb7     # V7\u002FI in Eb: natural tensions\n13 | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n14 | C7      # V7\u002Fii in Eb: the b13 is in the key\n15 | Fm7     # ii of the ii–V to Eb\n16 | Bb7     # V7 of Eb: natural tensions\n17 | EbMaj7  # tonic: the 4th is in the key\n18 | Fm7\u002FBb  # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n19 | EbMaj7  # tonic: the 4th is in the key\n# area: G major (A 20 – B 10)\n20 | Am7     # ii of the ii–V to G\n20 | D7      # V7 of G: natural tensions\n@nav 16 Fine\n@ending 1 13 16\n@ending 2 17 20\n\nsection: B\n1  | GMaj7   # tonic: the 4th is in the key\n2  | Em7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n3  | Am7     # ii of the ii–V to G\n4  | D7      # V7 of G: natural tensions\n5  | GMaj7   # tonic: the 4th is in the key\n6  | Em7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n7  | Am7     # ii of D7: Dorian\n8  | D7      # V7\u002FI in G: natural tensions\n9  | BbMaj7  # ♭IIImaj7, borrowed from G minor: Lydian (its ♯11 is in the key)\n10 | Gm7     # a borrowed minor chord: Dorian, its own key\n# area: Eb major (B 11–16)\n11 | Cm7     # ii of F7: Dorian\n12 | F7      # V7\u002FV in Eb: natural tensions\n13 | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n14 | C7      # V7\u002Fii in Eb: the b13 is in the key\n15 | Fm7     # ii of the ii–V to Eb\n16 | Bb7     # V7 of Eb: natural tensions\n@nav 15 D.C. al 1st Ending\n",1793575894541]