[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:lover-man":3},"title: Lover Man\ncomposer: Davis, Ramirez, Sherman\nstyle: Ballad\nkey: F\nform: AABA, 32 bars\n# analysis: 2026-10-31, rules v2; F\n\nsection: A1\n# area: F major (A1 1 – B 1)\n1 | Dm7     # ii of G7: Dorian\n1 | G7      # V7\u002FV in F: natural tensions\n2 | Dm7     # ii of G7: Dorian\n2 | G7      # V7\u002FV in F: natural tensions\n3 | Gm7     # ii of C7: Dorian\n3 | C7      # V7\u002FI in F: natural tensions\n4 | Gm7     # ii of C7: Dorian\n4 | C7      # extended dominant: V7 of F7\n5 | F7      # extended dominant: V7 of Bb7\n6 | Bb7     # IV7 in F, not resolving: the #11 is in the key\n7 | Abm7    # ii of Db7: Dorian\n7 | Db7     # extended ii–V: a side-step, its own key\n7 | Gm7     # ii of the ii–V to F\n7 | C7      # V7 of F: natural tensions\n8 | FMaj7   # tonic: the 4th is in the key\n8 | Em7b5   # iiø7 of A7: Locrian, the key's own notes (its ♭2 is a passing note)\n8 | A7      # V7\u002Fvi in F: b9 and b13 are in the key\n9 | FMaj7   # tonic: the 4th is in the key\n9 | E7b9    # V7\u002Fiii in F: b9 and b13 are in the key\n@ending 1 8\n@ending 2 9\n\nsection: B\n1 | Am      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n1 | AmMaj7  # from the symbol: minor-major 7th\n# area: G major (B 2–4)\n2 | Am7     # ii of the ii–V to G\n2 | D7      # V7 of G: natural tensions\n3 | GMaj7   # tonic: the 4th is in the key\n3 | Am7     # ii: Dorian, the key’s own notes\n4 | Bm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n# area: F major (B 4 – A2 8)\n4 | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4 | D7      # V7\u002Fii in F: the b13 is in the key\n5 | Gm      # ii: Dorian, the key’s own notes\n5 | GmMaj7  # from the symbol: minor-major 7th\n6 | Gm7     # ii of the ii–V to F\n6 | C7      # V7 of F: natural tensions\n7 | FMaj7   # tonic: the 4th is in the key\n8 | Em7b5   # iiø7 of D minor: Locrian, the key's own notes (its ♭2 is a passing note)\n8 | A7b9    # V7\u002Fvi in F: b9 and b13 are in the key\n\nsection: A2\n1 | Dm7     # ii of G7: Dorian\n1 | G7      # V7\u002FV in F: natural tensions\n2 | Dm7     # ii of G7: Dorian\n2 | G7      # V7\u002FV in F: natural tensions\n3 | Gm7     # ii of C7: Dorian\n3 | C7      # V7\u002FI in F: natural tensions\n4 | Gm7     # ii of C7: Dorian\n4 | C7      # extended dominant: V7 of F7\n5 | F7      # extended dominant: V7 of Bb7\n6 | Bb7     # IV7 in F, not resolving: the #11 is in the key\n7 | Abm7    # ii of Db7: Dorian\n7 | Db7     # extended ii–V: a side-step, its own key\n7 | Gm7     # ii of the ii–V to F\n7 | C7      # V7 of F: natural tensions\n8 | FMaj7   # tonic: the 4th is in the key\nalt 8 | FMaj7   # tonic: the 4th is in the key\nalt 8 | Em7b5   # iiø7 of D minor: Locrian, the key's own notes (its ♭2 is a passing note)\nalt 8 | A7      # V7\u002Fvi in F: b9 and b13 are in the key\n",1793575894582]