[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:love-walked-in":3},"title: Love Walked In\ncomposer: George Gershwin\nstyle: Medium Swing\nkey: Eb\nform: ABAC, 32 bars\n# analysis: 2026-10-31, rules v2; Eb\n\nsection: A1\n1 | EbMaj7  # tonic: the 4th is in the key\n2 | Cm7     # ii of F7: Dorian\n3 | F7      # extended dominant: V7 of Bb7sus\n4 | Bb7sus  # V7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n4 | Bb7     # V7 of Eb: natural tensions\n5 | EbMaj7  # tonic: the 4th is in the key\n6 | Cm7     # ii of F7: Dorian\n7 | F7      # V7 of V7: the dominant of the dominant: natural tensions\n8 | Bb7     # V7 in Eb, not resolving: natural tensions\n\nsection: B\n1 | Bbm7    # ii of the ii–V to Ab\n2 | Eb7     # V7\u002FIV in Eb: natural tensions\n3 | AbMaj7  # the Eb7 before it makes Ab the key of the moment: the 4th is in the key\n4 | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4 | C7      # V7\u002Fii in Eb: the b13 is in the key\n5 | Fm7     # ii: Dorian, the key’s own notes\n6 | Abm7    # ii of Db7: Dorian\n6 | Db7     # extended ii–V: a side-step, its own key\n7 | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n7 | C7      # extended dominant: each one falls a fifth into the next: natural tensions\n8 | F7      # V7 of V7: the dominant of the dominant: natural tensions\n8 | Bb7     # V7 of Eb: natural tensions\n\nsection: A2\n1 | EbMaj7  # tonic: the 4th is in the key\n2 | Cm7     # ii of F7: Dorian\n3 | F7      # extended dominant: V7 of Bb7sus\n4 | Bb7sus  # V7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n4 | Bb7     # V7 of Eb: natural tensions\n5 | EbMaj7  # tonic: the 4th is in the key\n6 | Cm7     # ii of F7: Dorian\n7 | F7      # V7 of V7: the dominant of the dominant: natural tensions\n8 | Bb7     # V7 in Eb, not resolving: natural tensions\n\nsection: C\n1 | Bbm7    # ii of the ii–V to Ab\n2 | Eb7     # V7\u002FIV in Eb: natural tensions\n3 | AbMaj7  # the Eb7 before it makes Ab the key of the moment: the 4th is in the key\n4 | A7      # V7 of D7b13, on the way to G minor: b9 and b13 are in the key\n4 | D7b13   # V7 of G minor, the chain's last link: b9 and b13 are in the key\n5 | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n5 | C7      # V7\u002Fii in Eb: the b13 is in the key\n6 | Fm7     # ii of the ii–V to Eb\n6 | Bb7     # V7 of Eb: natural tensions\n7 | Eb6     # tonic: the 4th is in the key\n8 | Fm7     # ii of the ii–V to Eb\n8 | Bb7     # V7 of Eb: natural tensions\n",1793575894515]