[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:love-letters":3},"title: Love Letters\ncomposer: Victor Young\nstyle: Ballad\nkey: G\nform: ABAC, 32 bars\n# analysis: 2026-10-31, rules v2; G\n\nsection: A1\n1 | GMaj7   # tonic: the 4th is in the key\n2 | GMaj7\n3 | Em7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n4 | Em7\n5 | Am7     # ii: Dorian, the key’s own notes\n6 | Am7b5   # iiø7 of G: Locrian, the key's own notes (its ♭2 is a passing note)\n6 | D7      # V7 of G: natural tensions\n7 | GMaj7   # tonic: the 4th is in the key\n8 | GMaj7\n\nsection: B\n1 | C#m7b5  # iiø7 of B minor: Locrian, the key's own notes (its ♭2 is a passing note)\n2 | F#7     # V7\u002Fiii in G: b9 and b13 are in the key\n3 | Bm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4 | E7      # V7\u002Fii in G: the b13 is in the key\n5 | Am7     # ii: Dorian, the key’s own notes\n6 | E7      # V7\u002Fii in G: the b13 is in the key\n7 | Am7     # ii of the ii–V to G\n8 | D7      # V7 of G: natural tensions\n\nsection: A2\n1 | GMaj7   # tonic: the 4th is in the key\n2 | GMaj7\n3 | Em7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n4 | Em7\n5 | Am7     # ii of the ii–V to G\n6 | Am7\n6 | D7      # V7 of G: natural tensions\n7 | GMaj7   # tonic: the 4th is in the key\n8 | G7      # V7\u002FIV in G: natural tensions\n\nsection: C\n1 | CMaj7   # the G7 before it makes C the key of the moment: the 4th is in the key\n2 | F7      # back door bVII7 to GMaj7: the #11 is in the key\n3 | GMaj7   # tonic: the 4th is in the key\n4 | Bbdim7  # passing diminished: A7♭9 without its A, the D7's dominant (Am7 its ii)\n5 | Am7     # ii of D7: Dorian\n6 | D7      # V7\u002FI in G: natural tensions\n6 | D7b9    # V7 of G: the b9 from the symbol\n7 | G6      # tonic: the 4th is in the key\n8 | G6\nalt 8 | Am7     # ii: Dorian, the key’s own notes\nalt 8 | G6      # tonic: the 4th is in the key\nalt 8 | D7      # V7 of G: natural tensions\n",1793575894471]