[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:love-is-the-sweetest-thing":3},"title: Love Is The Sweetest Thing\ncomposer: Ray Noble\nstyle: Medium Swing\nkey: D\nform: AABA, 32 bars\n# analysis: 2026-10-31, rules v2; D\n\nsection: A1\n1  | D6      # tonic: the 4th is in the key\n1  | Bm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2  | Em7     # ii of the ii–V to D\n2  | A7      # V7 of D: natural tensions\n3  | D6      # tonic: the 4th is in the key\n3  | Bm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n4  | Em7     # ii of A7: Dorian\n4  | A7      # V7\u002FI in D: natural tensions\n5  | Am7     # ii of the ii–V to G\n5  | D7      # V7\u002FIV in D: natural tensions\n6  | GMaj7   # the D7 before it makes G the key of the moment: the 4th is in the key\n6  | Em7     # ii: Dorian, the key’s own notes\n7  | Bm7     # ii of E7: Dorian\n7  | E7      # V7\u002FV in D: natural tensions\n8  | Em7     # ii of A7: Dorian\n8  | A7      # V7\u002FI in D: natural tensions\n9  | Bm7     # ii of E7: Dorian\n9  | E7      # V7 of V7: the dominant of the dominant: natural tensions\n10 | A7      # V7 of D: natural tensions\n10 | D6      # tonic: the 4th is in the key\n@ending 1 7 8\n@ending 2 9 10\n\nsection: B\n1  | Bm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2  | F#m7    # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n2  | B7      # V7\u002Fii in D: the b13 is in the key\n3  | Em7     # ii of the ii–V to D\n3  | A7      # V7 of D: natural tensions\n4  | DMaj7   # tonic: the 4th is in the key\n5  | C#m7b5  # iiø7 of B minor: Locrian, the key's own notes (its ♭2 is a passing note)\n5  | F#7     # V7\u002Fvi in D: b9 and b13 are in the key\n6  | Bm7     # ii of E7: Dorian\n7  | E7      # V7\u002FV in D: natural tensions\n8  | Em7     # ii of the ii–V to D\n8  | A7      # V7 of D: natural tensions\n\nsection: A2\n1  | D6      # tonic: the 4th is in the key\n1  | Bm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2  | Em7     # ii of the ii–V to D\n2  | A7      # V7 of D: natural tensions\n3  | D6      # tonic: the 4th is in the key\n3  | Bm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n4  | Em7     # ii of A7: Dorian\n4  | A7      # V7\u002FI in D: natural tensions\n5  | Am7     # ii of the ii–V to G\n5  | D7      # V7\u002FIV in D: natural tensions\n6  | GMaj7   # the D7 before it makes G the key of the moment: the 4th is in the key\n6  | Em7     # ii: Dorian, the key’s own notes\n7  | Bm7     # ii of E7: Dorian\n7  | E7      # V7 of V7: the dominant of the dominant: natural tensions\n7  | A7      # V7 of D: natural tensions\n8  | D6      # tonic: the 4th is in the key\n",1793575894460]