[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:love-is-just-around-the-corner":3},"title: Love Is Just Around The Corner\ncomposer: Lewis Gensler\nstyle: Medium Swing\nkey: F\nform: AABA, 32 bars\n# analysis: 2026-10-31, rules v2; F\n\nsection: A1\n1 | G7     # V7 of V7: the dominant of the dominant: natural tensions\n1 | C7     # V7 of F: natural tensions\n2 | FMaj7  # tonic: the 4th is in the key\n2 | D7     # extended dominant: each one falls a fifth into the next: natural tensions\n3 | G7     # V7 of V7: the dominant of the dominant: natural tensions\n3 | C7     # V7 of F: natural tensions\n4 | FMaj7  # tonic: the 4th is in the key\n4 | D7     # extended dominant: each one falls a fifth into the next: natural tensions\n5 | G7     # V7 of V7: the dominant of the dominant: natural tensions\n5 | C7     # V7 in F, not resolving: natural tensions\n6 | Am7    # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n6 | D7     # extended dominant: each one falls a fifth into the next: natural tensions\n7 | G7     # V7 of V7: the dominant of the dominant: natural tensions\n7 | C7     # V7 of F: natural tensions\n8 | F6     # tonic: the 4th is in the key\n8 | D7     # VI7 in F, not resolving: the b13 is in the key\n9 | F6     # tonic: the 4th is in the key\n@ending 1 8\n@ending 2 9\n\nsection: B\n1 | Em7    # ii of the ii–V to D minor\n1 | A7     # V7\u002Fvi in F: b9 and b13 are in the key\n2 | Dm7    # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n3 | Em7    # ii of the ii–V to D minor\n3 | A7     # V7\u002Fvi in F: b9 and b13 are in the key\n4 | Dm7    # ii of G7: Dorian\n5 | G7     # V7\u002FV in F: natural tensions\n5 | Gdim7  # auxiliary diminished: it decorates the chord and returns to it; not functioning diatonically: the symmetric scale\n6 | G7     # II7 in F, not resolving: natural tensions\n6 | Gdim7  # auxiliary diminished: it decorates the chord and returns to it; not functioning diatonically: the symmetric scale\n7 | G7     # V7 of V7: the dominant of the dominant: natural tensions\n8 | C7     # V7 in F, not resolving: natural tensions\n\nsection: A2\n1 | G7     # V7 of V7: the dominant of the dominant: natural tensions\n1 | C7     # V7 of F: natural tensions\n2 | FMaj7  # tonic: the 4th is in the key\n2 | D7     # extended dominant: each one falls a fifth into the next: natural tensions\n3 | G7     # V7 of V7: the dominant of the dominant: natural tensions\n3 | C7     # V7 of F: natural tensions\n4 | FMaj7  # tonic: the 4th is in the key\n4 | D7     # extended dominant: each one falls a fifth into the next: natural tensions\n5 | G7     # V7 of V7: the dominant of the dominant: natural tensions\n5 | C7     # V7 in F, not resolving: natural tensions\n6 | Am7    # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n6 | D7     # extended dominant: each one falls a fifth into the next: natural tensions\n7 | G7     # V7 of V7: the dominant of the dominant: natural tensions\n7 | C7     # V7 of F: natural tensions\n8 | F6     # tonic: the 4th is in the key\n8 | D7     # extended dominant: each one falls a fifth into the next: natural tensions\n",1793575894445]