[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:love-for-sale":3},"title: Love for Sale\nsubtitle: Latin \u002F swing\ncomposer: Cole Porter\nstyle: Mixed\nkey: Bbm\nform: AABC, 64 bars\nrecording: Cannonball Adderley; Somethin' Else; Blue Note; 1958\nyoutube: Z3TTnMY9ptg\n# analysis: 2026-10-19, rules v2; Bb minor\n# recording: recorded 1958-03-09, Van Gelder Studio, Hackensack, with Miles Davis, Hank Jones, Sam Jones, Art Blakey, BLP 1595, released 1958; songbook standard → the Latin-intro, swing-body reading the chart's layout matches; video: \"Provided to YouTube by Universal Music Group\", Somethin' Else (RVG), the same take\n\n# bar | chord | scale\n# the lead sheet offers Eb7 for EbMaj7 and Bb7 for Bbm in the A sections; the Maj7 \u002F minor reading is written\n\nsection: A1\nbars: 16\n# area: Bb minor (A1 1–7)\n1  | EbMaj7  # a non-tonic major chord: Lydian\n3  | Bbm     # tonic minor: Dorian by convention\n5  | EbMaj7  # a non-tonic major chord: Lydian\n7  | Bbm     # tonic minor: Dorian by convention\n# area: Db major (A1 9–12)\n9  | Ebm7    # ii of the ii–V to Db\n10 | Ab7     # V7 of Db: natural tensions\n11 | DbMaj7  # tonic: the 4th is in the key\n12 | Gb7     # IV7 in Db, not resolving: the #11 is in the key\n# area: Bb minor (A1 13 – A2 7)\n13 | Cm7b5   # iiø7 of Bb minor: Locrian, the key's own notes (its ♭2 is a passing note)\n14 | F7alt   # from the symbol: altered\n15 | Bbm     # tonic minor: Dorian by convention\n\nsection: A2\n1  | EbMaj7  # a non-tonic major chord: Lydian\n3  | Bbm     # tonic minor: Dorian by convention\n5  | EbMaj7  # a non-tonic major chord: Lydian\n7  | Bbm     # tonic minor: Dorian by convention\n# area: Db major (A2 9–12)\n9  | Ebm7    # ii of the ii–V to Db\n10 | Ab7     # V7 of Db: natural tensions\n11 | DbMaj7  # tonic: the 4th is in the key\n12 | Gb7     # IV7 in Db, not resolving: the #11 is in the key\n# area: Bb major (A2 13–16)\n13 | Cm7b5   # iiø7 of Bb: Locrian, the key's own notes (its ♭2 is a passing note)\n14 | F7alt   # from the symbol: altered\n15 | BbMaj7  # tonic: the 4th is in the key\n16 | Fm7     # ii of the ii–V to Eb minor\n16 | Bb7     # V7\u002Fiv in Bb: natural tensions\n\nsection: B\n# area: Bb minor (B 1–4)\n1  | Ebm7    # ii of the ii–V to Db\n2  | Ab7b9   # V7\u002FbIII in Bb minor: the b9 from the symbol\n3  | DbMaj7  # bIII of Bb minor: the relative major itself\n4  | Fm7     # ii of the ii–V to Eb minor\n4  | Bb7     # V7\u002Fiv in Bb minor: the b13 is in the key\n# area: Db major (B 5–15)\n5  | Ebm7    # ii of the ii–V to Db\n6  | Ab7     # V7 of Db: natural tensions\n7  | DbMaj7  # tonic: the 4th is in the key\n9  | Fm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n10 | Bb7b9   # V7\u002Fii in Db: the b13 is in the key, the b9 from the symbol\n11 | Ebm     # ii: Dorian, the key’s own notes\n13 | Gm7b5   # iiø7 of C7b9: Locrian, the key's own notes (its ♭2 is a passing note)\n14 | C7b9    # V7\u002Fiii in Db: b9 and b13 are in the key\n15 | F#m7    # ii of B7: Dorian\n15 | B7      # extended ii–V: a side-step, its own key\n# area: Eb major (B 16 – C 7)\n16 | Fm7b5   # iiø7 of Eb: Locrian, the key's own notes (its ♭2 is a passing note)\n16 | Bb7b9   # V7 of Eb: the b9 from the symbol\n\nsection: C\nbars: 16\n1  | EbMaj7  # tonic: the 4th is in the key\n3  | Bbm     # a borrowed minor chord: Dorian, its own key\n5  | EbMaj7  # tonic: the 4th is in the key\n7  | Bbm     # a borrowed minor chord: Dorian, its own key\n# area: Bb minor (C 9–15)\n9  | Ebm7    # ii of Ab7: Dorian\n10 | Ab7     # extended dominant: V7 of Db7\n11 | Db7     # extended dominant: V7 of Gb7\n12 | Gb7     # bVI7 in Bb minor, not resolving: the #11 is in the key\n13 | Cm7b5   # iiø7 of Bb minor: Locrian, the key's own notes (its ♭2 is a passing note)\n14 | F7alt   # from the symbol: altered\n15 | Bbm     # tonic minor: Dorian by convention\n",1793484801022]