[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:love-dance":3},"title: Love Dance\ncomposer: Ivan Lins, Gilson Peranzzetta\nstyle: Medium funk ballad\nkey: Eb\nform: AABC, 43 bars\nrecording: Sarah Vaughan; Crazy and Mixed Up; Pablo Today; 1982\nyoutube: 7Plh_vg6Jy4\n# analysis: 2026-10-19, rules v2; Eb\n# recording: recorded 1982-03-01\u002F02, Sarah Vaughan with Roland Hanna, Joe Pass, Andy Simpkins, Harold Jones, Pablo Today 2312-137; the earliest recording found of Paul Williams's lyric and the song's best-known jazz reading; no earlier recording by Lins or Peranzzetta could be confirmed (Wikipedia, Discogs, Qobuz); video: \"Provided to YouTube by Universal Music Group\", Crazy and Mixed Up, the same take\n# routing: Intro, A (repeated, 1st and 2nd endings), B, C, D.S. (tenor solo over B, end solo), C al Coda;\n# the Coda ends in a two-bar vamp (bars 7–8: vamp, solo and fade).\n\n# bar | chord\n\nsection: Intro\nbars: 4\n# area: Eb major (Intro 1 – B 2)\n1  | F6\u002FEb        # a non-tonic major chord: Lydian\n1  | Abm7\u002FEb      # a borrowed minor chord: Dorian, its own key\n2  | F6\u002FEb        # a non-tonic major chord: Lydian\n2  | Db13sus      # static sus: Mixolydian\n# book: Db13sus (all the 13sus chords below)\n@ending 1 2\n3  | F6\u002FEb        # a non-tonic major chord: Lydian\n3  | Db9sus4      # static sus: Mixolydian\n@ending 2 3\n\nsection: A\n1  | EbMaj7       # tonic: the 4th is in the key\n1  | Fm7          # ii: Dorian, the key’s own notes\n1  | Gm7          # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n1  | AbMaj7       # IV: the #4 is the key’s 7th\n2  | Db9sus4      # ♭VII7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n2  | Db13         # ♭VII7 from the parallel minor: Lydian Dominant\n3  | Gm7          # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n3  | Cm7          # ii of F9sus4: Dorian\n4  | F9sus4       # II7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n4  | F13          # extended dominant: V7 of Bb9sus4\n5  | Bb9sus4      # static sus: Mixolydian\n5  | Bb\u002FAb        # V without its 7th: Mixolydian, the key’s own notes\n6  | G13          # III7 in Eb, not resolving: the b9 is in the key, the 13 from the symbol\n6  | G7#5         # extended dominant: V7 of C9sus4; #11 and b13 from the symbol\n7  | C9sus4       # VI7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n7  | C7#5#9       # extended dominant: V7 of F9sus4; b9, #9, #11 and b13 from the symbol\n8  | F9sus4       # II7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n8  | F13          # extended dominant: V7 of Bb9sus4\n9  | Bb9sus4      # static sus: Mixolydian\n9  | Bb13sus(b9)  # from the symbol: sus b9\n10 | F6\u002FEb        # a non-tonic major chord: Lydian\n10 | Abm7\u002FEb      # a borrowed minor chord: Dorian, its own key\n11 | F6\u002FEb        # a non-tonic major chord: Lydian\n11 | Db9sus4      # static sus: Mixolydian\n@ending 1 11\n12 | F6\u002FEb        # a non-tonic major chord: Lydian\n12 | Db9sus4      # static sus: Mixolydian\n12 | A7b5         # V7\u002Fvii in Eb: 9, #11 and 13 from the symbol\n@ending 2 12\n\nsection: B\n@segno 1\n1  | Dm7b5        # iiø7 of C minor: Locrian, the key's own notes (its ♭2 is a passing note)\n1  | G7#5         # V7\u002Fvi in Eb: b9 and b13 are in the key, the #11 from the symbol\n2  | Cm7(add11)   # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2  | Cm7\u002FBb       # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n@key 3 G\n# area: G major (B 3–8)\n3  | Am7b5        # iiø7 of G: Locrian, the key's own notes (its ♭2 is a passing note)\n# book: Ami7(b5 add 11)\n3  | D7alt        # from the symbol: altered\n4  | GMaj7        # tonic: the 4th is in the key\n5  | F#m7b5       # iiø7 of E minor: Locrian, the key's own notes (its ♭2 is a passing note)\n5  | B7#5         # V7\u002Fvi in G: b9 and b13 are in the key, the #11 from the symbol\n6  | Em7(add11)   # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n6  | Em7\u002FD        # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n7  | F9sus4       # ♭VII7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n7  | F13          # extended dominant: V7 of Bb9sus4\n8  | Bb9sus4      # static sus: Mixolydian\n8  | Bb7sus4b9    # from the symbol: sus b9\n\nsection: C\nkey: Eb\nbars: 16\n# book: Bb13sus(b9); \"end solo\" here on the D.S.\n# area: Eb major (C 1 – Coda 8)\n1  | EbMaj7       # tonic: the 4th is in the key\n1  | Fm7          # ii: Dorian, the key’s own notes\n1  | Gm7          # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n1  | AbMaj7       # IV: the #4 is the key’s 7th\n2  | Db9sus4      # ♭VII7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n2  | Db13         # ♭VII7 from the parallel minor: Lydian Dominant\n3  | Gm7          # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n3  | Cm7          # ii of F9sus4: Dorian\n4  | F9sus4       # II7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n4  | F13          # extended dominant: V7 of Bb9sus4\n5  | Bb9sus4      # static sus: Mixolydian\n5  | Bb\u002FAb        # V without its 7th: Mixolydian, the key’s own notes\n6  | G13          # III7 in Eb, not resolving: the b9 is in the key, the 13 from the symbol\n6  | G7#5         # extended dominant: V7 of C9sus4; #11 and b13 from the symbol\n7  | C9sus4       # VI7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n7  | C7#5#9       # extended dominant: V7 of F9sus4; b9, #9, #11 and b13 from the symbol\n8  | F9sus4       # II7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n8  | F13          # extended dominant: V7 of Bb9sus4\n9  | Bb9sus4      # static sus: Mixolydian\n9  | Bb7sus4b9    # from the symbol: sus b9\n@coda 9\n10 | F6\u002FEb        # a non-tonic major chord: Lydian\n10 | Abm7\u002FEb      # a borrowed minor chord: Dorian, its own key\n11 | F6\u002FEb        # a non-tonic major chord: Lydian\n11 | Db9sus4      # static sus: Mixolydian\n12 | F6\u002FEb        # a non-tonic major chord: Lydian\n12 | Abm7\u002FEb      # a borrowed minor chord: Dorian, its own key\n13 | F6\u002FEb        # a non-tonic major chord: Lydian\n13 | Db9sus4      # static sus: Mixolydian\n13 | A7b5         # a chromatic dominant with nowhere to go: Lydian Dominant, its own key\n@nav 13 D.S. al Coda\n\nsection: Coda\nkey: Eb\n@coda 1\n1  | F6\u002FEb        # a non-tonic major chord: Lydian\n1  | Db9sus4      # static sus: Mixolydian\n2  | C9sus4       # VI7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n2  | C7b9#11      # extended dominant: V7 of F9sus4; b9 and #11 from the symbol\n# book: C7(#11 b9), molto rit.\n3  | F9sus4       # II7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n3  | F13          # extended dominant: V7 of Bb9sus4\n4  | Bb9sus4      # static sus: Mixolydian\n4  | Bb7sus4b9    # from the symbol: sus b9\n5  | D7#5#9       # VII7 in Eb, not resolving: the b13 is in the key, b9, #9 and #11 from the symbol\n# a tempo\n6  | F6\u002FEb        # a non-tonic major chord: Lydian\n# bars 7–8: repeated vamp (tenor solo), vamp, solo and fade\n7  | D7#5#9       # VII7 in Eb, not resolving: the b13 is in the key, b9, #9 and #11 from the symbol\n8  | F6\u002FEb        # a non-tonic major chord: Lydian\n",1793484801013]