[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:love-came-on-stealthy-fingers":3},"title: Love Came on Stealthy Fingers\ncomposer: Bob Dorough\nstyle: Ballad\nkey: F\nform: AB, 32 bars\nrecording: Irene Kral; Where Is Love?; Choice; 1975\nyoutube: Pe8Lycw_7Lc\n# analysis: 2026-10-19, rules v2; F\n# recording: recorded December 1974, Wally Heider Studios, Los Angeles, Irene Kral with Alan Broadbent (p), Choice CRS 1012; the first recording known and the reference reading; Dorough's own is late (Duets, self-released, 2012) (Wikipedia, MusicBrainz); video: \"Provided to YouTube by Redeye Worldwide\", Where Is Love? (the Candid reissue), the same take\n# book: Slow Ballad. The form repeats (repeat signs around A–B).\n# the Intro is a repeated 2-bar piano figure marked (C7); written out as 4 bars.\n# the 2nd time, C13(#11 b9) falls on the last beat of bar 4 (pickup to A).\n\n# bar | chord\n\nsection: Intro\n# area: F major (Intro 1 – A 5)\n1  | C7           # V7 in F, not resolving: natural tensions\n4  | C7\n4  | C13#11b9     # V7 of F: b9 and #11 from the symbol\n\nsection: A\n1  | FMaj7        # tonic: the 4th is in the key\n1  | Am7b5        # iiø7 of G minor: Locrian, the key's own notes (its ♭2 is a passing note)\n2  | Am7b5\n2  | D7b9         # V7\u002Fii in F: the b13 is in the key, the b9 from the symbol\n3  | Gm7          # ii of the ii–V to F\n4  | C13b9        # V7 of F: the b9 from the symbol\n5  | FMaj7        # tonic: the 4th is in the key\n# area: G major (A 5–8)\n5  | Am7b5        # iiø7 of G: Locrian, the key's own notes (its ♭2 is a passing note)\n6  | Am7b5\n6  | D7b9         # V7 of G: the b9 from the symbol\n7  | GMaj7        # tonic: the 4th is in the key\n7  | Am9          # ii of the ii–V to G\n7  | D13          # V7 of G: natural tensions\n8  | GMaj7        # tonic: the 4th is in the key\n8  | Bm7          # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n# area: Ab major (A 9–10)\n9  | Bbm9         # ii of the ii–V to Ab\n9  | Eb7alt       # from the symbol: altered\n10 | AbMaj9       # tonic: the 4th is in the key\n# area: Gb major (A 11–12)\n11 | Abm9         # ii of the ii–V to Gb\n11 | Db7alt       # from the symbol: altered\n12 | GbMaj9       # tonic: the 4th is in the key\n# area: E major (A 13–14)\n13 | F#m9         # ii of the ii–V to E\n13 | B7alt        # from the symbol: altered\n14 | EMaj9        # tonic: the 4th is in the key\n14 | C#m7         # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n# area: Ab major (A 15–16)\n15 | Bbm7(add11)  # ii of the ii–V to Ab\n15 | Eb7#5        # V7 of Ab: #11 and b13 from the symbol\n16 | AbMaj7       # tonic: the 4th is in the key\n# area: F major (A 16 – B 5)\n16 | Gm7          # ii of the ii–V to F\n16 | C13b9        # V7 of F: the b9 from the symbol\n\nsection: B\n1  | FMaj7        # tonic: the 4th is in the key\n1  | Am7b5        # iiø7 of G minor: Locrian, the key's own notes (its ♭2 is a passing note)\n2  | Am7b5\n2  | D7b9         # V7\u002Fii in F: the b13 is in the key, the b9 from the symbol\n3  | Gm7          # ii of the ii–V to F\n4  | C13b9        # V7 of F: the b9 from the symbol\n5  | FMaj7        # tonic: the 4th is in the key\n# area: G major (B 5–7)\n5  | Am7b5        # iiø7 of G: Locrian, the key's own notes (its ♭2 is a passing note)\n6  | Am7b5\n6  | D7b9         # V7 of G: the b9 from the symbol\n7  | GMaj7        # tonic: the 4th is in the key\n7  | G#m7         # a borrowed minor chord: Dorian, its own key\n# area: F major (B 8–16)\n8  | Gm7          # ii of C7: Dorian\n8  | C7           # V7\u002FI in F: natural tensions\n8  | Dm           # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n8  | Dm7\u002FC        # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n9  | Bm7b5        # iiø7 of E7alt: Locrian, the key's own notes (its ♭2 is a passing note)\n# book: Bmi7(b5 add 11)\n9  | E7alt        # from the symbol: altered\n10 | Am7b5        # iiø7 of G minor: Locrian, the key's own notes (its ♭2 is a passing note)\n# book: Ami7(b5 add 11)\n10 | D7alt        # from the symbol: altered\n11 | Gm7(add11)   # ii: Dorian, the key’s own notes\n12 | Bbm7         # ii of Eb7#11: Dorian\n12 | Eb7#11       # back door bVII7 to FMaj7: the #11 is in the key\n13 | FMaj7        # tonic: the 4th is in the key\n13 | Am7b5        # iiø7 of G minor: Locrian, the key's own notes (its ♭2 is a passing note)\n14 | Am7b5\n14 | D7b9         # V7\u002Fii in F: the b13 is in the key, the b9 from the symbol\n15 | Gm7          # ii: Dorian, the key’s own notes\n15 | Db7b5        # tritone substitute: resolves down a half step to C13\n15 | C13          # V7 of F: natural tensions\n16 | F6           # tonic: the 4th is in the key\n# alt (optional): bar 16 (C13)\n",1793484800994]