[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:lotus-blossom":3},"title: Lotus Blossom\ncomposer: Billy Strayhorn\nstyle: Waltz\nkey: Bb\ntime: 3\u002F4\nform: AAB, 48 bars\n# analysis: 2026-10-31, rules v2; Bb\n\nsection: A\n1  | BbMaj7\u002FD  # tonic: the 4th is in the key\n2  | Dbm6      # a minor sixth chord: Dorian\n3  | Cm7b5     # iiø7 of Bb: Locrian, the key's own notes (its ♭2 is a passing note)\n4  | F7        # V7 of Bb: natural tensions\n5  | BbMaj7\u002FD  # tonic: the 4th is in the key\n6  | Em7b5     # #ivø7 in Bb: Locrian, its own mode (the chord is outside the key)\n6  | Ebm7b5    # ivø7 in Bb: Locrian, its own mode (the chord is outside the key)\n7  | Dm7b5     # iiø7 of C minor: Locrian, the key's own notes (its ♭2 is a passing note)\n8  | G7#5      # V7\u002Fii in Bb: the b13 is in the key, the #11 from the symbol\n9  | Cm7       # ii: Dorian, the key’s own notes\n10 | Ebm6      # a minor sixth chord: Dorian\n11 | BbMaj7\u002FD  # tonic: the 4th is in the key\n12 | Dbm6      # a minor sixth chord: Dorian\n13 | Cm7b5     # iiø7 of Bb: Locrian, the key's own notes (its ♭2 is a passing note)\n14 | F7        # V7 of Bb: natural tensions\n15 | BbMaj7    # tonic: the 4th is in the key\n16 | F7        # V7 of Bb: natural tensions\n17 | BbMaj7    # tonic: the 4th is in the key\n@coda 14\n@ending 1 16\n@ending 2 17\n\nsection: B\n1  | Dm7b5     # iiø7 of G7b9: Locrian, the key's own notes (its ♭2 is a passing note)\n2  | G7b9      # V7\u002Fii in Bb: the b13 is in the key, the b9 from the symbol\n3  | Dm7b5     # iiø7 of G7b9: Locrian, the key's own notes (its ♭2 is a passing note)\n4  | G7b9      # V7\u002Fii in Bb: the b13 is in the key, the b9 from the symbol\n5  | Dm7b5     # iiø7 of C minor: Locrian, the key's own notes (its ♭2 is a passing note)\n6  | G7b9      # V7\u002Fii in Bb: the b13 is in the key, the b9 from the symbol\n7  | Cm6       # a minor sixth chord: Dorian\n8  | Cm6\n9  | BbMaj7\u002FF  # tonic: the 4th is in the key\n10 | Bbdim7\u002FF  # auxiliary diminished: it decorates the chord and returns to it\n11 | BbMaj7\u002FF  # tonic: the 4th is in the key\n12 | Bbdim7\u002FF  # passing diminished: a rootless dominant ♭9; not functioning diatonically: the symmetric scale\n13 | Cm7       # ii: Dorian, the key’s own notes\n13 | A7        # V7 of D7, on the way to G minor: b9 and b13 are in the key\n14 | D7        # V7 of G minor, the chain's last link: b9 and b13 are in the key\n14 | Gm7       # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n15 | Cm7       # ii of the ii–V to Bb\n16 | F7        # V7 of Bb: natural tensions\n@nav 16 D.C. al Coda\n\nsection: Coda\n1  | Dm7b5     # iiø7 of C minor: Locrian, the key's own notes (its ♭2 is a passing note)\n2  | G7b9      # V7\u002Fii in Bb: the b13 is in the key, the b9 from the symbol\n3  | Cm7       # ii: Dorian, the key’s own notes\n4  | Ebm6      # a minor sixth chord: Dorian\n5  | BbMaj7\u002FD  # tonic: the 4th is in the key\n6  | Dbm6      # a minor sixth chord: Dorian\n7  | Cm7b5     # iiø7 of Bb: Locrian, the key's own notes (its ♭2 is a passing note)\n8  | F7        # V7 of Bb: natural tensions\n9  | BbMaj7    # tonic: the 4th is in the key\n10 | F7        # V7 of the BbMaj7 before it: natural tensions\n@coda 1\n",1793575894379]