[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:looking-up":3},"title: Looking Up\ncomposer: Michel Petrucciani\nstyle: Latin\nkey: A\nform: AA, 56 bars\n# analysis: 2026-10-31, rules v2; A\n\nsection: A\n# area: A major (A 1–8)\n1  | AMaj7   # tonic: the 4th is in the key\n2  | A7      # V7\u002FIV in A: natural tensions\n3  | DMaj7   # the A7 before it makes D the key of the moment: the 4th is in the key\n4  | G7      # back door bVII7 to AMaj7: the #11 is in the key\n5  | AMaj7   # tonic: the 4th is in the key\n6  | A7      # V7\u002FIV in A: natural tensions\n7  | DMaj7   # the A7 before it makes D the key of the moment: the 4th is in the key\n8  | C#7     # V7\u002Fvi in A: b9 and b13 are in the key\n# area: E major (A 9–40)\n9  | F#m7    # ii of the ii–V to E\n10 | B7      # V7 of E: natural tensions\n11 | EMaj7   # tonic: the 4th is in the key\n12 | C#7     # VI7 in E, not resolving: the b13 is in the key\n13 | D#m7    # ii of the ii–V to C# minor\n14 | D#m7\n15 | G#7     # V7\u002Fvi in E: b9 and b13 are in the key\n16 | G#7\n17 | C#m7    # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n18 | C#m7\u002FB  # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n19 | AMaj7   # IV: the #4 is the key’s 7th\n20 | B7      # V7 in E, not resolving: natural tensions\n21 | C#m7    # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n22 | G7#11   # tritone substitute: resolves down a half step to F#7\n23 | F#7     # II7 in E, not resolving: natural tensions\n24 | G#7     # V7\u002Fvi in E: b9 and b13 are in the key\n25 | C#m7    # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n26 | C#7\u002FB   # VI7 in E, not resolving: the b13 is in the key\n27 | A#m7b5  # iiø7 of D#7: Locrian, the key's own notes (its ♭2 is a passing note)\n28 | D#7     # extended dominant: V7 of G#7\n29 | G#7     # III7 in E, not resolving: b9 and b13 are in the key\n30 | A7      # tritone substitute: resolves down a half step to G#7\n31 | G#7     # III7 in E, not resolving: b9 and b13 are in the key\n32 | D7      # tritone substitute: resolves down a half step to C#m7\n33 | C#m7    # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n34 | C#m7\u002FB  # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n35 | AMaj7   # IV: the #4 is the key’s 7th\n36 | B7      # V7 of E: natural tensions\n37 | E       # tonic: the 4th is in the key\n38 | A\u002FE     # IV: the #4 is the key’s 7th\n39 | E       # tonic: the 4th is in the key\n40 | D\u002FE     # ♭VII, borrowed from E minor: Lydian (its ♯11 is in the key)\n@ending 1 17 24\n@ending 2 25 32\n",1793575894359]