[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:look-to-the-sky":3},"title: Look to the Sky\ncomposer: Antonio Carlos Jobim\nstyle: Bossa Nova\nkey: Eb\nform: AA, 32 bars\nrecording: Antonio Carlos Jobim; Wave; A&M; 1967\nyoutube: TRwKQG8Iw00\n# analysis: 2026-10-28, rules v2; Eb\n# recording: recorded May 1967, Van Gelder Studio, Claus Ogerman arr., prod. Creed Taylor (A&M\u002FCTI SP 3002); the composer's own first recording (rule 1); sources: Wikipedia, MusicBrainz; video: Universal Music Group \"Provided to YouTube\" upload, Wave, released 1967-06-15, 2:21\n\nsection: A\n# area: Eb major (A 1 – Coda 5)\n1  | EbMaj7    # tonic: the 4th is in the key\n2  | EbMaj7\n3  | Ebm7      # ii of Ab7: Dorian\n4  | Ab7       # extended ii–V: a side-step, its own key\n5  | EbMaj7    # tonic: the 4th is in the key\n6  | EbMaj7\n7  | Gm7       # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n8  | C7b9      # V7\u002Fii in Eb: the b13 is in the key, the b9 from the symbol\n9  | Fm7       # ii: Dorian, the key’s own notes\n10 | Fm7\n11 | Abm7      # ii of Db7: Dorian\n12 | Db7       # extended ii–V: a side-step, its own key\n13 | Gm7       # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n14 | Gbdim7    # passing diminished: F7♭9 without its F, the Bb7#5's dominant (Fm7 its ii)\n15 | Fm7       # ii of Bb7#5: Dorian\n16 | Bb7#5     # V7\u002FI in Eb: #11 and b13 from the symbol\n17 | GbMaj7    # ♭IIImaj7, borrowed from Eb minor: Lydian (its ♯11 is in the key)\n18 | EMaj7#11  # from the symbol: #11\n19 | EbMaj7    # tonic: the 4th is in the key\n20 | EbMaj7\n@coda 18\n@ending 1 13 16\n@ending 2 17 20\n\nsection: Coda\n1  | EbMaj7    # tonic: the 4th is in the key\n2  | Gm7       # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n2  | C7b9      # V7\u002Fii in Eb: the b13 is in the key, the b9 from the symbol\n3  | Fm7       # ii: Dorian, the key’s own notes\n4  | EMaj7#11  # from the symbol: #11\n5  | EbMaj7    # tonic: the 4th is in the key\n# area: Gb major (Coda 6–10)\n6  | Abm7      # ii of the ii–V to Gb\n6  | Db7b9     # V7 of Gb: the b9 from the symbol\n7  | GbMaj7    # tonic: the 4th is in the key\n8  | EMaj7#11  # from the symbol: #11\n9  | EbMaj7    # a non-tonic major chord: Lydian\n10 | EbMaj7\n@coda 1\n",1793484800965]