[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:look-to-the-rainbow":3},"title: Look To The Rainbow\ncomposer: Burton Lane\nstyle: Waltz\nkey: Eb\ntime: 3\u002F4\nform: ABAB, 72 bars\n# analysis: 2026-10-31, rules v2; Eb\n\nsection: A1\n1  | Eb6     # tonic: the 4th is in the key\n2  | AbMaj7  # IV: the #4 is the key’s 7th\n3  | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4  | Fm7     # ii of the ii–V to Eb\n4  | Bb7     # V7 of Eb: natural tensions\n5  | Eb6     # tonic: the 4th is in the key\n6  | Bbm7    # ii of the ii–V to Ab\n6  | Eb7     # V7\u002FIV in Eb: natural tensions\n7  | AbMaj7  # the Eb7 before it makes Ab the key of the moment: the 4th is in the key\n8  | Bb7     # V7 in Eb, not resolving: natural tensions\n9  | Fm7     # ii of Bb7: Dorian\n10 | Bb7     # V7\u002FI in Eb: natural tensions\n11 | Fm7     # ii of Bb7: Dorian\n12 | Bb7     # V7\u002FI in Eb: natural tensions\n13 | Bb7\n14 | Bb7\n15 | Ab6     # IV: the #4 is the key’s 7th\n16 | Eb6     # tonic: the 4th is in the key\n\nsection: B1\n1  | EbMaj7  # tonic: the 4th is in the key\n2  | Cm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n3  | Fm7     # ii of the ii–V to Eb\n3  | Bb7     # V7 of Eb: natural tensions\n4  | EbMaj7  # tonic: the 4th is in the key\n5  | Fm7     # ii of the ii–V to Eb\n5  | Bb7     # V7 of Eb: natural tensions\n6  | EbMaj7  # tonic: the 4th is in the key\n7  | AbMaj7  # IV: the #4 is the key’s 7th\n7  | Am7b5   # #ivø7 in Eb: Locrian, its own mode (the chord is outside the key)\n8  | Bb7     # V7 of Eb: natural tensions\n9  | EbMaj7  # tonic: the 4th is in the key\n10 | Cm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n11 | Fm7     # ii of the ii–V to Eb\n11 | Bb7     # V7 of Eb: natural tensions\n12 | EbMaj7  # tonic: the 4th is in the key\n13 | Ab6     # IV: the #4 is the key’s 7th\n14 | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n14 | C7      # V7\u002Fii in Eb: the b13 is in the key\n15 | Fm7     # ii of the ii–V to Eb\n15 | Bb7     # V7 of Eb: natural tensions\n16 | Eb6     # tonic: the 4th is in the key\n\nsection: A2\ncopy: A1\n\nsection: B2\n1  | EbMaj7  # tonic: the 4th is in the key\n2  | Cm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n3  | Fm7     # ii of the ii–V to Eb\n3  | Bb7     # V7 of Eb: natural tensions\n4  | EbMaj7  # tonic: the 4th is in the key\n5  | Fm7     # ii of the ii–V to Eb\n5  | Bb7     # V7 of Eb: natural tensions\n6  | EbMaj7  # tonic: the 4th is in the key\n7  | AbMaj7  # IV: the #4 is the key’s 7th\n7  | Am7b5   # #ivø7 in Eb: Locrian, its own mode (the chord is outside the key)\n8  | Bb7     # V7 of Eb: natural tensions\n9  | EbMaj7  # tonic: the 4th is in the key\n10 | Cm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n11 | Fm7     # ii of the ii–V to Eb\n11 | Bb7     # V7 of Eb: natural tensions\n12 | EbMaj7  # tonic: the 4th is in the key\n13 | Ab6     # IV: the #4 is the key’s 7th\n14 | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n14 | C7      # V7\u002Fii in Eb: the b13 is in the key\n15 | Fm7     # ii of the ii–V to Eb\n15 | Bb7     # V7 of Eb: natural tensions\n16 | Eb6     # tonic: the 4th is in the key\n17 | AbMaj7  # IV: the #4 is the key’s 7th\n18 | Eb6\u002FG   # tonic: the 4th is in the key\n19 | Fm7     # ii of the ii–V to Eb\n19 | Bb7     # V7 of Eb: natural tensions\n20 | EbMaj7  # tonic: the 4th is in the key\n21 | Ab6     # IV: the #4 is the key’s 7th\n22 | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n22 | C7      # V7\u002Fii in Eb: the b13 is in the key\n23 | Fm7     # ii of the ii–V to Eb\n23 | Bb7     # V7 of Eb: natural tensions\n24 | Eb6     # tonic: the 4th is in the key\n",1793575894335]