[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:long-ago-and-far-away":3},"title: Long Ago and Far Away\ncomposer: Jerome Kern\nstyle: Medium\nkey: F\nform: ABCD, 32 bars\nrecording: Chet Baker; Chet Baker Sings and Plays; Pacific Jazz; 1955\nyoutube: PABzN7U8OBY\n# analysis: 2026-10-19, rules v2; F\n# recording: recorded 1955-03-07, Los Angeles; Baker, Russ Freeman, Carson Smith, Bob Neel; Pacific Jazz PJ 1202; songbook standard → a widely known jazz reading (jazzstandards.com lists Chet Baker among its versions; no single canonical jazz version stands out); sources: Wikipedia, jazzstandards.com; video: \"Provided to YouTube by Universal Music Group\", Chet Baker Sings and Plays (2004 remaster), 3:58 vs 3:57 listed, the same take\n\n# bar | chord | scale\n\nsection: A\n# area: F major (A 1 – B 1)\n1 | FMaj7   # tonic: the 4th is in the key\n1 | Dm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2 | Gm7     # ii of the ii–V to F\n2 | C7      # V7 of F: natural tensions\n3 | FMaj7   # tonic: the 4th is in the key\n3 | Dm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n4 | Gm7     # ii of the ii–V to F\n4 | C7      # V7 of F: natural tensions\n5 | FMaj7   # tonic: the 4th is in the key\n5 | Dm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n6 | Gm7     # ii of C7: Dorian\n6 | C7      # V7\u002FI in F: natural tensions\n7 | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n7 | D7      # V7\u002Fii in F: the b13 is in the key\n8 | Gm7     # ii of C7: Dorian\n8 | C7      # V7\u002FI in F: natural tensions\n\nsection: B\n1 | AbMaj7  # ♭IIImaj7, borrowed from F minor: Lydian (its ♯11 is in the key)\n1 | Fm7     # a borrowed minor chord: Dorian, its own key\n# area: Ab major (B 2–3)\n2 | Bbm7    # ii of the ii–V to Ab\n2 | Eb7     # V7 of Ab: natural tensions\n3 | AbMaj7  # tonic: the 4th is in the key\n# area: C major (B 4–6)\n4 | Dm7     # ii of the ii–V to C\n4 | G7      # V7 of C: natural tensions\n5 | CMaj7   # tonic: the 4th is in the key\n6 | Am7     # ii of the ii–V to G minor\n6 | D7alt   # from the symbol: altered\n# area: F major (B 7 – D 8)\n7 | Gm7     # ii of the ii–V to F\n8 | C7      # V7 of F: natural tensions\n\nsection: C\ncopy: A\n\nsection: D\n1 | Cm7     # ii of the ii–V to Bb\n2 | F7      # V7\u002FIV in F: natural tensions\n3 | BbMaj7  # the F7 before it makes Bb the key of the moment: the 4th is in the key\n4 | Eb7     # ♭VII7 from the parallel minor: Lydian Dominant\n5 | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n5 | D7      # V7\u002Fii in F: the b13 is in the key\n6 | Gm7     # ii of the ii–V to F\n6 | C7      # V7 of F: natural tensions\n7 | FMaj7   # tonic: the 4th is in the key\n8 | Gm7     # ii of the ii–V to F\n8 | C7      # V7 of F: natural tensions\n",1793484800953]